As one not entitled to participate in the chatter I was free to listen. There were _oh’s_ and _ah’s_ and guttural sounds, meant in each case to express that person’s whole unique comprehension and theory of art. The more articulate had almost done better, I thought, to limit themselves to similar exclamations. What they said was quite meaningless, to me at least. With the enthusiasm of original discovery one declared that it was wholly free of any representational quality. Another said with profound wisdom that it was neither the symbol nor the representation of anything, but purely and miraculously a thing in itself. Its unrepresentationalness and thing-in-itselfness were thereupon asserted over and over, everyone perceiving that to be the safe slant of opinion. They were wonderfully excited. No lay person may hope to understand these commotions of æsthetic feeling. The idea was to me grotesque that this strange, discolored figure, not more than fifteen inches high, with its upturned nose, its cylindrical trunk, cylindrical arms not pertaining to the trunk, cylindrical legs pertaining to neither the trunk nor the arms, terminating in block feet, should be an august event in the world of art. Lord Porteous came in. He helped himself to tea and sat down with Vera at some distance from the murmuring group that surrounded the idol. Voices kept calling him to come. He went, holding his tea and munching his cake, and gave it one casual look. “How very ugly,” he said, and returned to Vera’s side. I hated him for having the assurance to say it. No one else would have dared. I hated him for his possessive ways. I hated him for all the reasons there were. A malicious spirit invaded me. I sat near them, wishing my proximity to be disagreeable. He was very polite and friendly, which gave me extra reasons. He made some reference to a recent occurrence in Wall Street. He asked me what I made of the negro carving. “I don’t understand it,” I said. “We are the barbarians here,” he said. “They understand it. Look at them.” Vera was silent. iv Gradually the party dispersed, everyone stopping on the way forth to inform Vera of her greatness, her service to art, her hold upon their adoration and affection. At length only Lord Porteous and I remained. The tea things were removed, twilight passed, lights were made, and still we lingered, making artificial conversation. Suddenly, with a subtle air of declining the competition, he took his leave. Vera lay in a great black, ivory-mounted chair, her head far back, her feet on a hassock, smoking a cigarette in a long shell holder, staring into the smoke as a man does. The presence of Lord Porteous seemed to linger between us long after his corporeal entity was gone. “He says he thinks it very ugly,” I remarked. “Yes?” she said with that unresolved, rising inflexion which provokes a man to open the quarrel. “No one else could have carried off that audacity,” I said. She let that pass.