The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
As if the name had called for an answer, a light knock came to the door
of the box. The door opened, and Baron Carl von Lichtenberg stood before
me. M. le Duc de Choiseul and the Marquis de Mérode, two well-known
boulevardiers, stood behind him.
"Monsieur," said Von Lichtenberg, advancing towards me, "I have sought
you in many places without avail since the incident which occurred at
the Mirlitons, on the 1st of October last. I sought you to pay you this
compliment." And he flicked me on the shoulder with the white glove
which he had drawn from his hand.
I bowed, and he withdrew.
That was all. A deadly insult, very nicely wrapped up, lay in "this
compliment"--and he had struck me.
Ah, well! it was to be. Although I was a living man with a will of my
own, it seemed that my will could not prevent my meeting Von
Lichtenberg; and, to point the matter, the challenge would have to come
from me. I could not escape. Heaven knows I have a sufficiency of animal
courage, yet for a moment the thought came to me of leaving Paris and
ignoring the insult, sacrificing honour and name rather than submit to
the unknown destination towards which Fate was driving me. Some instinct
told me that this duel would have consequences far beyond what I could
imagine; that it was a turning-point in my life, having passed which my
fate would be irremediably fixed.
Only for a moment came the suicidal thought of flight, to be immediately
dismissed. Let come what might, it was not my fault. I would send my
seconds to Von Lichtenberg in the morning. Then I turned to Eloise, and
found her leaning against the side of the box, pale, and seemingly in a
fainting state.
"I am all right," she murmured, "but, oh, Toto, it was his face!"
"His face?"
"His face I saw deep down in the water of the moat, drowned, and with
the weeds floating across it."
I remembered that day when, leaning on the drawbridge rail, and looking
down into the moat water, she had seen what seemed a face.
"Eloise," I said, taking her hands in mine, "come to yourself. The
second act is about to begin. Do not let other people see you pale like
this. What matters it? He and I have an account to settle: what matters
it? You have Franzius to think of. Listen to me. Do you know who he is?
He is Baron Carl von Lichtenberg--he was little Carl. Do you remember
the gardens of Lichtenberg and the drum, and how we marched away into
the forest----"
And before Eloise could answer, the Vicomte returned, and the curtain
rose on the forest of the lovely land where Undine met her lover.
The opera was a great success. Not since the marvellous first night of
"The Barber of Seville" had Paris shown such enthusiasm. But the
pleasure was dimmed for me, and I saw everything at a distance.
Public-domain text, read in full here on John Shaqi.
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