The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
"We need never," said she. "I am yours. I am not existent in the world.
The Baron Carl von Lichtenberg is dead: he died when I put on these
things. There is no one to trouble us!"
"Look!" I said. "This is Etiolles."
* * * * *
I had as completely forgotten Franzius and Eloise as though they had
never existed. Madame Ancelot seemed strange; and the Pavilion a place
which I recognised, but which had no part in my new life.
Sitting opposite to my companion at table--for we had a déjeûner under
the big chestnut-tree--I could contemplate her at my leisure. Surely God
had never created a more lovely and perfect woman. Eyelashes long and
black, up curved, and tipped with brown; violet-grey eyes. Ah, yes; I do
not care to think of them now. I only care to remember that voice and
smile, that ineffable expression, all that told of the existence of the
beautiful spirit that Time might never touch nor Death destroy.
From the forest came the wood-doves' song to the immortal and
ever-weeping Susie. We could hear the birds in the château gardens, and
a bell from some village church ringing the Angelus--faint, far away,
robbed of its harshness by the vast and sunlit silence. She seemed the
soul of all that music, all that silence, all that sweetness; and she
was mine, entirely and for ever. We were beyond convention and law, as
were Adam and Eve.
"And you know," said she, as if reading my thoughts, "I am nobody--I
have not even a name. Yesterday I was Baron Carl von Lichtenberg, with
great estates. Now, who am I? And my great estates----" She opened a
purse, in which lay a few louis. "Here they are."
I laughed, and put the little purse into my pocket.
"Tell me," I said; "where were you when you were coming out of your
chrysalis? When you were changing--all these three months?"
"I--I was at Tours. The Baron von Lichtenberg received three months'
foreign leave, and went to Tours. Oh, the complications! And the
dressmakers! I did not even know at first how to wear these things. Do
they fit me?"
"Do they fit you!"
I rose, and we crossed the drawbridge. As she passed over it, she paused
and gazed at the water.
"How cool it looks! How dark and deep! Do you remember the pool at
Lichtenberg?"
"And how I pushed you in. Do you remember the little drum?"
"And the child with the golden hair--Eloise. She called you Toto. I have
always called you Toto since, M. Patrick Mahon."
"Call me it still," I said. "I love anything that reminds me of my
past--of our past. Come, let us go into the woods, as we went that day."
She laughed at the recollection of the little Pomeranian grenadier.
"We were children then," said she.
I looked at her. In the shadow of the trees, in the broad drive where we
stood, she might have been a ghost from that time when La Vallière was
a girl, when La Fontaine was a man, and Monsieur Fouquet held his court
at Vaux.
Public-domain text, read in full here on John Shaqi.
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