The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
All the sadness and pain that my past relationship with her had caused
me was now banished, for I could read in her eyes, or, blind that I was,
I thought I could read in her eyes, that the past was for her not in the
new world in which she found herself.
We sat down on the little grassy bank, and talked things over, the three
of us. Three people who had found a treasure could not have been more
happily jubilant as we talked of the future.
"And you know," said I, "you will never want money. Franzius will be
rich with his music; and even should he never care to write again, I
have a large sum of money in trust for you. Oh, don't ask who gave it in
trust for you both! It is there."
We talked till the dusk fell and star after star came out.
So dark was it when I left that a tiny point of light in Eloise's hair
made me hold her head close to look. It was a glow-worm that had fallen
from the bending hollyhocks.
It seemed to me like a little star that God had placed there as a
portent of fortune and happiness.
When I got back to Paris my guardian was out.
I went to my rooms to think things over. My thoughts had received a new
orientation. I remembered my delight that morning on finding myself
free--free of all that heaven!
Ah, if I could only have loved her as Franzius did!
What, then, was this thing called Love, which I had never known, the
thing which I had never guessed till to-day, till this evening, there in
the sunk garden of Saluce, in the dusk so filled with the sound of
unseen wings and the music of an unknown tongue?
Some drawing things were on the table.
I have always been a fair artist, and sketching has been one of my few
amusements.
Almost mechanically I took a pencil, and tried to sketch the face of
Eloise Feliciani.
But it was not the face of Eloise Feliciani that appeared on the paper.
I gazed on it, when it was finished, in troubled amazement. It was the
face of a woman--yet it was also the portrait of a child. Ah, yes;
beyond any doubt of memory it was the face of Margaret von Lichtenberg,
the old portrait in the gallery of Schloss Lichtenberg! Yet it was the
face, also, of little Carl!
CHAPTER XXX
THE MARRIAGE OF ELOISE
"We will give them a good send-off," said my guardian, as, some days
later, we discussed the matter of Eloise's wedding. "Let them be married
at Etiolles; have the village en fête. I will settle for it all."
The proposition seemed good; nowhere could one find a more suitable spot
for such a wedding than the little church of Etiolles; yet it met with
opposition.
Public-domain text, read in full here on John Shaqi.
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