The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
I was terrified, shocked. Terrified as an animal which suddenly finds
itself trapped in a gin; shocked as a man who sees a ghost.
All the nameless excitement and soul-terror that had filled me for a
moment as a child when Gretel, in the gallery of the Schloss, had held
the light to the portrait of Margaret von Lichtenberg, were mine now
again, for the face I had just seen was hers. The Baron Carl von
Lichtenberg was little Carl.
I said "Good-evening," to M. Présensé, escaped through the cardroom
door, got my hat and coat from the attendants, and found myself in the
street.
CHAPTER XXXII
TRYING TO ESCAPE FROM FATE
I walked fast as one who would try to escape from his fate.
I _could_ not but see the cards being dealt by some mysterious hand; I
could not but remember that Von Lichtenberg, a nobleman, a man of
honour, the friend of his King, and presumably sane, had three times
attempted my assassination when I was a child, to shield little Carl
from some terrible evil at my hands; and look, to-night, whom had I met?
Then, Franzius, entering my life as he had done, and Eloise, like the
people on the stage who are seen in the first act of the drama, to
reappear in the last act, helping to form the tragic tableau on which
the curtain falls.
But the terror and repulsion in my mind rose not from these things; it
came like a breath from afar; it came like a breath from the unknown,
from the time remote in the past when lived Margaret von Lichtenberg,
the woman murdered by Philippe de Saluce.
I walked hurriedly, not caring whither I went; the sounds and lights of
Paris surrounded me, but my spirit was not there. It was in the gardens
of Lichtenberg, walking with Eloise and little Carl; it was in the
picture-gallery, gazing at the portrait of the dead-and-gone Margaret,
beneath which was the little portrait of Philippe de Saluce, so horribly
like myself; it was in the windy bell-tower where the Man in Armour
stood with his iron hammer before the iron bell; I saw again the duel in
the forest, and Von Lichtenberg lying in the arms of General Hahn, and I
heard again the slobbering of the torches, the wind in the pine-trees,
and the far-off barking of the fox in the wood.
Ah, yes; all that might have something to do with me, but beyond all
that I refused my fate. I refused to believe that the dead Margaret had
a hold upon me--the last of the Mahons, who was also the last of the
Saluces; the horrible whispered suggestion: "Are _you_ Philippe de
Saluce returned? Were _you_ once in that old time the murderer of
Margaret? And is she--is she little Carl?" This I refused; that I would
not listen to; this I abhorred, as a whisper from the devil, as a
blasphemy against God's goodness and against life.
"I have never done harm to any man!"
"Or woman?" queried the whisperer, whose voice seemed my own voice, just
as in that story of Edgar Poe's the voice of William Wilson found an
echo in his double.
"Or woman? Ah, yes--Eloise--a moment of passion----"
Public-domain text, read in full here on John Shaqi.
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