The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
Sally, brimming over with delightful memories of the happy days passed
in the cottage by the sea, was not slow to communicate her experiences
to her young friends and playmates in Rosemary Lane. The wonderful
stories she had to tell, and the wonderful way in which she related
them, caused the children's eyes to dilate and their breasts to throb.
Sally was an artist, and, in a more effective manner than would have
been adopted by a more polished narrator, she painted her pictures in
exactly those colours which made them alluring to an audience not
over-gifted with learning and intelligence. In all these pictures, the
Duchess was the central figure. She was the princess for whom the
flowers bloomed and the sea whispered musically. The happy rides, the
pleasant meals, the delicious idling, the soft murmurs of woodland
life, were all for the Duchess, and, but for her, would not have been.
Sally's tongue was never idle when there was an opportunity to glorify
her idol, and the devoted child had never been so rich in opportunity
as at the present time. Among other stories related by her, was, of
course, the story of the Duchess's portrait being taken surrounded by
flowers, which Sally declared was "out and out the most beautiful
thing as ever was seen;" and public curiosity being excited, Seth
Dumbrick was besieged by applicants eager to see the pictures. These
visits were the means of his ingratiating himself into the more
favourable opinion of his neighbours, who said to one another that
Seth Dumbrick was becoming quite an agreeable man. Even to Mrs. Preedy
he was gracious, and for fully three weeks that inveterate gossip had
not a word to say to his disparagement.
So, being once more settled down quietly in his stall, with sufficient
work for the hours, Seth hammered and patched away from morning till
night, and but for certain fears connected with the Duchess, would
have been a perfectly happy man. One of these fears related to the
fortune-telling incident; he was unreasonably apprehensive that by
some means or other the Duchess would be tracked and spirited away by
the gentleman with whom he had had high words at Springfield; he did
not stop to reason upon the motive which would lead to such an act.
His other fear related to the bank-note, so strangely forwarded to the
Duchess, which had paid for their holiday. If he had known where to
seek for a clue to the discovery of the sender of the money, it is
doubtful whether he would have availed himself of it; his earnest wish
was that the matter should rest where it was, and that he and the
Duchess and Sally should be allowed to live their quiet, uneventful
life unmolested. If he saw the postman coming along the street, he
watched his progress nervously, dreading that another letter for the
Duchess might arrive, and when the man passed without look or word,
the cheerful hammering upon the leather, or the more vigorous plying
of the awl, denoted how greatly he was relieved.
Public-domain text, read in full here on John Shaqi.
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