The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
may have felt for his devoted mother was so alloyed with rank
selfishness as to be utterly valueless. As the years rolled on,
thoughts travelled apace, and with them he saw the child-Duchess
growing to womanhood--to beautiful womanhood. Then began to creep upon
him a thirst to see her, and to be with her--a thirst which increased
in intensity the more he dwelt upon his wish. The circumstance that
kept them apart was to his sense monstrous. She was his--by what
right, or if by any, mattered not; she was his, and he was hers; they
belonged to each other. But by this time fortune seemed to have
entirely deserted him, and he had settled into a from-hand-to-mouth
vagabond condition of life which was destructive of every chance of
crossing the seas with a shilling in his pocket. At this point of his
career chance brought him into communication with Arthur Temple. He
had taken service, under an assumed name, as a shepherd, an occupation
which gave full scope to his indolent habits, and he was lying on the
hills on a summer day, while through an adjacent forest of iron and
silver bark trees, Arthur Temple was cantering, in high spirits. The
subtle invisible links which draw lives into fatal connection with one
another are too strange and mysterious for human comprehension.
Between these two men, unconscious of each other's existence,
stretched the link which was to bind them in one mesh thousands of
miles across the seas, wherefrom other links were stretching to draw
them homewards. Ned Chester, lying on the hill, in gloomy abstraction
hitched from his pocket a common tin whistle, and began to play his
sorrows through the keys. This one accomplishment had never deserted
him; the cheap and common instrument became in his hands a divine
medium for sweetest melody. The music reached the ears of Arthur
Temple as he rode through the silent woods, and he reined in his
horse, and listened. He was alone, making his way to the home station
of the rich squatter who employed Ned Chester, and the music stirred
his poetic mind. He wove from it romantic fancies; it peopled the
woods with beautiful images; it made the stillness eloquent. He rode
on to meet it, prepared for any surprise, in the shape of delicate
nymph or sprite, and came upon a shabbily-dressed man, with a
fortnight's beard on him, playing with dirty coarse fingers upon the
keys of a common tin whistle. Ned Chester ceased, and gazed at the
newcomer. He saw that he was a gentleman, and he ground his teeth with
envy; but he gave no expression to the sentiment. Arthur Temple opened
the ball.
"It _is_ you who were playing?"
"Yes."
"On that?" eyeing the tin whistle with intense interest.
"Yes; on this."
"Will you play again for me?"
"I don't mind."
Ned placed the whistle to his lips, and played a simple Scotch air,
improvising on the theme with rare skill; his organ of love of
approbation was very large.
"Beautiful!" said Arthur Temple. "You have been taught in a good
school."
Public-domain text, read in full here on John Shaqi.
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