The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
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The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
"There are not many strings in us, Sally, but, Lord! the number o'
tunes that Nature plays on us! And we go through life dancing to 'em,
or hobbling to 'em, as the case may be. As this little picture'll do,
according to the kind of music that comes to her. As for what takes
place when Nature's played her last tune on us, that's beyond you and
me, Sally."
"Yes, Mr. Dumbrick," assented Sally, feeling it incumbent upon her to
say something, but groping now in such dark depths that she saw no way
out of them.
Seth's next utterances, however, brought a little light to her.
"In all that, there are certain things--not many--that we may fairly
take credit for. You've got a big heart in a little body. I'd wager my
cobbler's stall that I'm going to sit on in the clouds when your dream
comes true--I'd wager that to a brass thimble that if you had only one
bit o' bread, and you was hungry as you could be, you'd give it to
baby, if she cried for it."
Two or three bright tears glistened in Sally's eyes, which Seth
accepted as confirmation.
"Take credit for that, Sally."
"Thank you, Mr. Dumbrick," said Sally gratefully, satisfied with this
reward of good words for good intentions.
"I'm going to take credit, too, Sally. I'm going to teach you and baby
to read and write."
"O! Mr. Dumbrick!"
"That's as much as a real father could do. Reading's a grand thing,
Sally. We've much to be thankful for. Be thankful, Sally."
"I am, Mr. Dumbrick, I am, oh, so much!"
"I don't like that mister, Sally."
"No?" questioned Sally, for ever on the alert to discover her
guardian's likes or dislikes.
"It's too much like company manners. Now that we're comfortably
settled we ought to be more sociable. Call me Dad, or Daddy, or Daddy
Dumbrick. Your tongue'll soon get used to it."
"Yes, Mr.--Dad-dy Dumbrick."
Sally's tongue tripped so comically over the new terms that she
laughed, and Seth grimly joined in the merriment.
"We soon get used to things, Sally. Once on a time we usedn't to live
in houses."
"In what, then, Daddy Dumbrick?"
"In tents and forests and fields and that like."
"As the gipsies do," cried Sally. "I've seed 'em. Mother took me to a
fair once."
"Now we live in garrets and cellars, and sweet-smelling habitations."
Sally looked dubious. Many of the houses round about Rosemary Lane
were far from sweet-smelling, and she could not realise the advantage
of the present over the past of which Seth was evidently boasting. To
live in a tent in forest or field was a dream of Elysium to her, with
flowers growing around her home and green grass waving. Too good for
earth.
"Once on a time," continued Seth, "we couldn't read; now we can. Once
on a time we weren't civilised; now we are. We've much more to be
thankful for than we know of. This is the age of enlightenment, Sally,
and the best thing I can do is to give you your first lesson."
Public-domain text, read in full here on John Shaqi.
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