The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
As Roddy withdrew, her loneliness wrapped her round, and in every day
that added to her distance from Roddy she saw the active and malignant
agency of her grandmother. She was intelligent enough to be aware that
in this constant vision of the Duchess she was outstepping the
probabilities; but her early years and the precipitation with which she
had been shot out of them into an atmosphere that unexpectedly resembled
their own earlier surroundings seemed to point to some diabolical
agency.
"Oh! when I get free of this," had been her earlier cry, and now the
foreboding that she was never to be free of it until she died terrified
her with its possibility. Imagine her brought up in a stuffy house with
windows tightly closed, in full vision of a high road, imagine her
promised the freedom of the road at a future time; imagine her
liberated, at last, rushing into the new life and finding that, after
all, the walls of the house were still about her, and about her now for
ever.
Her one reserve during the early months of the year at Seddon had been
her letters to Francis Breton. His letters to her had been a series of
self-revelation; he had restrained himself in so far as appealing to her
simply on the score of their relationship and his enmity to the head of
the house. She had replied revealing her sympathy, hinting at rebellion
on her own side and feeling, after the writing of every letter, a hatred
of her own deceit, a curiously heightened sense of affection for Roddy,
above all a conviction that impulses were, of their own agency, working
to some climax that she could not, or would not, control.
The foreign blood in her, the English blood in him, baffled their
advances toward one another. Everything that Rachel did now seemed to
Roddy so close to melodrama that it was best to use silence for his
weapon. All Roddy's actions were to Rachel further illustrations of
Beaminster muddle and second-rate personality.
Had Roddy called out of Rachel the great depth of passion and reality
that she inherited from her mother her own love of him would have solved
everything--but that he could not call from her, nor ever would.
For Rachel, she saw in him now a possibility of perpetual infidelity,
and at every suspicion of it her disgust both at herself and him grew
because that possibility did not move her more.
They came up to London at the beginning of May and hid, very
successfully from the world, the widening breach.
To Rachel, it was sheer terror to discover the thrill that the adjacence
of Elliston Square to Saxton Square gave her. In this one
self-revelation there was enough to present her with night after night
of sleepless misery. She visited the Duchess and found that her presence
was continually demanded. Every visit was a battle.
"Show me how you are treating him, whether he cares for you. Have you
found him out? Tell me everything----"
Public-domain text, read in full here on John Shaqi.
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