The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
Him all this time she closely observed. He was not entirely at his ease,
when she had been in public with him before she had noticed it, his
glance at every new-comer, his conscious summoning of control lest it
should be someone whom he had once known, someone who might now,
perhaps, not know him.
It made him in her eyes all the younger, all the more happily demanding
her protection; how terribly she loved him she had never, she thought,
realized until this moment.
The Haymarket Theatre, where _Mrs. Lemiter's Decision_ had been given to
a grateful world for nearly two hundred nights, was next door.
In a moment they were there and the band was playing and the lights were
up, and then the band was not playing and the lights were down, and she
was instantly conscious of the places where his body touched hers and of
his hand lying white upon his knee.
She, Lizzie Rand, most perfect of private secretaries, most sedate and
composed of women, found it all that her self-control could secure that
she should not then and there have touched that hand with her own.
It was not really a good play. There was a lady, Mrs. Lemiter, who had
once done what she should not have done. There were a number of ladies
and gentlemen, placed round her by the author, in order that she should,
for the benefit of as many audiences as possible, confess what she _had_
done.
During the first and second acts Mrs. Lemiter made little dashes towards
escape and the author (naturally omniscient) always placed someone in
front of her just in time and there were cries of "Not this way, my good
woman." At the end of the third act, Mrs. Lemiter, thoroughly bored and
exasperated, turned on them all and, for a good twenty minutes, told
them what she thought of them.
During the fourth act they all assured her that they liked her very much
and that, as it was now eleven o'clock and she'd lost her temper so
successfully that the house would certainly be filled for many months to
come, they'd all better have tea or dinner, whilst a young couple, who
had throughout the play loved one another and quarrelled, made it up
again.
When the play was at an end Lizzie did not know what it had been about.
She took his hand and when he was about to hail a cab stopped him.
"Let's walk," she said, "it's such a lovely night."
He eagerly agreed and they started.
III
She knew that her moment had come; he knew too--she could tell that
because all the way up the Haymarket he said nothing.
Piccadilly Circus was a screaming confusion. A music-hall invited you to
come and hear "Harry and Clare, drawing-room entertainers." Lights--red
and green and gold--flashed and advised drinks and hair-oil and tobacco.
Ladies, highly coloured and a little dishevelled; stared haughtily but
inquisitively about them, boys shouted newspapers and dived under horses
and appeared, miraculously delivered from the wheels of omnibuses.
Public-domain text, read in full here on John Shaqi.
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