The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
Enough of itself to disturb her was the fact that now for the first time
for thirty years she was able to examine some room different from her
own--A large, high white-walled room with wide windows that displayed
the park, sporting prints on the walls, antlers over the fireplace, a
piano in one corner, a large bowl of primroses on the piano, some
boxing-gloves and two old swords over the door, a wooden case with thin
rosewood drawers and "Birds' Eggs" in gold letters upon it, a round
table near the sofa upon which Roddy was lying and on the table a
photograph of Rachel--
All these things her sharp old eyes noticed before she allowed them to
settle upon Roddy--
His quiet, almost humorous "Well, Duchess," set, quite concisely, the
note for this conversation. Not for either of them was it to betray any
consciousness that this meeting of theirs was in any way out of the
ordinary. Formerly it had been the ebullient, vigorous Roddy who had
brought his vigour to renew her fierce old age; now that old age must be
brought to him--
The Beaminsters did not show surprise at anything at all; had she come
from her grave to visit him he would have greeted her with his quiet
"Well, Duchess"--his life was broken in pieces, but she was not to offer
any comment on that either.
She was exhausted even by that little drive, and that little passage
from door to door, so she just lay back in her chair for a little while
and looked at him.
His body was covered with a rug; his hands, still brown and large and
clumsy, were folded on his lap; he was wonderfully tidy, brushed and
cleaned, it seemed to her, as though he were always expecting a doctor
or a visitor or were performed upon by some valet or other, simply, poor
dear, that the time might be filled. His cheeks were paler of course and
his face thinner, but it was in his eyes--his large, simple, singularly
ungrown-up eyes she had always considered them--that the great change
lay--
They smiled across at her with the same genial good temper that they had
always presented to her. But indeed she could never call them
"ungrown-up" again. Roddy Seddon had grown up indeed since she had seen
him last; she knew now, as she faced the experience and, above all, the
strength that those eyes now presented for her, that she had a new
spirit to encounter.
Yes--he "had had a horrible time," but she was wise enough, at that
instant, to realise that the "horrible time" had drawn character out of
him that she, at least, had never, for an instant, suspected.
The old woman was moved so that she would have liked to have tottered to
his sofa, to have caught his hands in her old dry ones, to have kissed
him, to have smoothed his hair--but she sat quietly in her chair,
recovered her breath and, grimly, almost saturninely, smiled at him.
"Well, Roddy," she said, "how are you?"
Public-domain text, read in full here on John Shaqi.
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