The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
By the early afternoon he was in a pitiable state. Should he send notes
to the Duchess and Breton telling them both that he was too unwell, too
cross, too sleepy, too "anything" to see them? Should he retire to bed
and leave Peters to make his excuses? Should he disappear and tell
Rachel to deal with them? _What_ a scene there'd be between the three of
them!
His illness had made a difference to his nerve, lying there on one's
back took the grit away, gave one too much time to think, showed one
such momentous issues.
On the events of this afternoon might hang all his life and all
Rachel's!
His capture of her was indeed now to be put to the test!...
II
Rachel came into his room at four o'clock. She carried a great bunch of
violets and a paper parcel.
She smiled across the room at him; a cap of white fur on her head, and
the hand with the violets held also a large white muff.
"Roddy--I'm coming to have tea with you--alone. You'll be out to
everyone, won't you? But first, see what I've brought you."
She was dreadfully excited, he thought, as though she knew already the
kind of thing that awaited her. Her smile was nervous, and that
trembling of her upper lip, as though she would, perhaps, cry and
perhaps would laugh but really was not sure, always told him when she
was afraid.
"See what I've brought you!" She put the violets down upon the table
beside him--"Now! Look!" She undid the paper and held up to his gaze a
deep, gleaming silver lustre bowl, a beautiful bowl because of its
instant friendliness and richness and completeness--"I found it!" she
said, "staring at me out of a shop window, demanding to be bought. I
thought you'd like it."
She put it on his table, found water and filled it, then arranged the
violets in it.
"Oh! my dear! it's beautiful!" he said, and then, with his eyes fixed
upon her face, watched her arrange the flowers. But he brought out at
last, "I'm afraid I can't promise to be alone for tea."
"Oh!" she stepped back from the flowers and looked at him. They faced
one another, the silver bowl between them. She stood, as she always did,
when she had something difficult to face, her long hands straight at her
side, her hands slowly closing and unclosing, her eyes fixed upon some
far distance.
"Roddy, please!" she said, "I do want to be alone with you this
afternoon. I have a special, very special reason. I want to talk."
"You see----" he said.
"No," she cried impatiently. "We _must_ have this afternoon to
ourselves. Tell Peters that you're too ill, too tired, anything. I'm
sure, after all that storm last night, it would be perfectly natural if
you were. Now, please, Roddy."
"I'm awfully sorry, Rachel dear. If I'd only known. If you'd only told
me last night."
"I didn't know myself last night. How could I? But now--it's most
awfully important, Roddy. I've--I've something to tell you."
His heart beat thickly, his eyes shone.
"Well, they won't stay long, I dare say."
"Who are they?"
Public-domain text, read in full here on John Shaqi.
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