The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
"Good old England! Good old England! Good old Bobs! Good old Bobs!"
Squeezed up against Christopher's arm was a stout body that looked as
though it had once belonged to some elderly gentleman who liked white
waistcoats and brass buttons. From somewhere, in obvious connection with
these buttons, came a weak, breathless voice: "You'll excuse me hanging
on so, sir. It's familiar--not my way--but this crowd ..."
A girl, with crimson face, leant against Christopher, put her arm round
his neck, tickled his face with a feather; she screamed with laughter:
"Oo-ray! Oo-ray--Oo-bloody-ray!"
"Look out, you swine!" somebody shouted.
"And 'e shouted out, did Bobs
Come along, you stinking nobs,
We will show you--"
Around them, above them, below them there tossed a whirlpool of noise,
something outside and beyond the immediate sounds that they were making.
Bells, voices, shouts that seemed to have no human origin, the very
walls and stones of the City crying aloud.
Then, opposite the entrance to Half Moon Street another crowd seemed to
meet them. There was pause. "Get out of it!" "Go the other way." "Damn
yer eyes, step off it." "Go back, carn't yer?"
It was then that for the briefest moment and for the first time in his
life Christopher was afraid. Someone was pressing into his back until
surely it would break, some other was leaning, and driving his chest in,
driving it so that the breath flooded his face, his eyes, his nose.
Colours rose and fell; someone's evil breath burnt upon his cheeks.
Light flashed before him in broad, steady flares.
"Brun, Brun," he cried.
"All right," a voice from many miles away answered him.
He was seized with the determination to survive. They thought that they
could "down" him, but they should see that they were mistaken; his rage
rising, he was no longer Dr. Christopher of Harley Street, but something
savage, lawless beyond even his own control. He drove with his arms;
curses met him and someone drove back into him and a ridiculous face
with staring eyes that stupidly pleaded and a nose that was white and
trembling and a mouth that dribbled at the corners came up against his.
"Keep back, can't you?" someone shouted.
"Brun, Brun," he called again, and then was conscious that bodies were
giving way before him. His hand met a stomach covered with cloth and
little hard buttons, and then coming against a woman's arm soft and
warm, Christopher had instantly gained possession of his soul once more.
"Hope I didn't hurt you," he heard himself saying, then, some barrier of
legs and bodies yielding, found that he was flung out, away, stumbling,
in spite of himself, on to his knee.
He caught someone by the arm, and it was Brun.
"Good Lord!" said Christopher.
"It's all right," answered Brun. "We're in Half Moon Street. We're out
of it."
II
Public-domain text, read in full here on John Shaqi.
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