The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
Her mind was confused. At one moment she felt that she did not want to
see him again, that he disturbed her peace and worried her with memories
that were better forgotten. At another moment she could have returned,
then and there, to ask him questions, to know whether he felt this or
that: had he ever pictured such a place? Had he...?
And then sharply she dismissed such thoughts. She would think of him no
more--and yet he did not look a villain. How delightful to persuade the
family to take him back. Why should she not help towards a
reconciliation? She was herself so happy now that she could not bear
that anyone should feel outcast or lonely--they were all very hard upon
him.
It was not until she heard the voices of the apprentices that thought of
her cousin left her. As she groped her way in the dark box and heard
Lady Carloes' stuffy whisper (she had the voice of a cracknel biscuit),
"You sit there, my dear--Lord John here. That's right--I knew you'd be
late because ..." she was gloriously aware that quite close to her the
music that she loved best in all the world was transforming existence.
She touched Roddy's hand and then surrendered herself.
She had been to Covent Garden now on four or five occasions and from the
first the shabby building with its old red and gold, its air of
belonging to any period earlier than the one it was just then amusing,
its attitude, above all, of indifference to its aspect--all this had
attracted her and won her affection. London, she discovered, was always
best when it was shabbiest and one could not praise it more highly than
by declaring, with perfect truth, that it was the shabbiest city in the
world. Now, feeling instinctively that English apprentices (she had had
already some taste of the Covent Garden chorus) would act too much or
too little, she closed her eyes.
Now, as the music reached her, the old red and gold seemed a cage,
swinging, swinging higher and ever higher with old Lady Carloes and
Roddy Seddon and all the brilliant people in the stalls, and all the
enthusiastic people in the gallery, swinging, swinging inside it. She
could feel the lift of it, the rise and fall, and almost the clearer air
about her as it rose into the stars.
Then there came to her the voice for which she had surely all her days
been waiting. It enwrapped her round and comforted her, consoled her for
all her sorrows, reassured her for all her fears. It filled the cage and
the air beyond the cage, it was of earth and of heaven, and of all
things good and beautiful in this world and the next.
Public-domain text, read in full here on John Shaqi.
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