There before them lay the dead Duchess; her plank bed had been laid on the floor of the outer room of her cell, between two lighted candles. Neither Montriveau nor de Marsay spoke a word or uttered a cry; but they looked into each other’s faces. The General’s dumb gesture tried to say, “Let us carry her away!” “Quickly” shouted Ronquerolles, “the procession of nuns is leaving the church. You will be caught!” With magical swiftness of movement, prompted by an intense desire, the dead woman was carried into the convent parlour, passed through the window, and lowered from the walls before the Abbess, followed by the nuns, returned to take up Sister Theresa’s body. The sister left in charge had imprudently left her post; there were secrets that she longed to know; and so busy was she ransacking the inner room, that she heard nothing, and was horrified when she came back to find that the body was gone. Before the women, in their blank amazement, could think of making a search, the Duchess had been lowered by a cord to the foot of the crags, and Montriveau’s companions had destroyed all traces of their work. By nine o’clock that morning there was not a sign to show that either staircase or wire-cables had ever existed, and Sister Theresa’s body had been taken on board. The brig came into the port to ship her crew, and sailed that day. Montriveau, down in the cabin, was left alone with Antoinette de Navarreins. For some hours it seemed as if her dead face was transfigured for him by that unearthly beauty which the calm of death gives to the body before it perishes. “Look here,” said Ronquerolles when Montriveau reappeared on deck, “_that_ was a woman once, now it is nothing. Let us tie a cannon ball to both feet and throw the body overboard; and if ever you think of her again, think of her as of some book that you read as a boy.” “Yes,” assented Montriveau, “it is nothing now but a dream.” “That is sensible of you. Now, after this, have passions; but as for love, a man ought to know how to place it wisely; it is only a woman’s last love that can satisfy a man’s first love.” ADDENDUM Note: The Duchesse de Langeais is the second part of a trilogy. Part one is entitled Ferragus and part three is The Girl with the Golden Eyes. In other addendum references all three stories are usually combined under the title The Thirteen. The following personages appear in other stories of the Human Comedy. Blamont-Chauvry, Princesse de Madame Firmiani The Lily of the Valley Grandlieu, Duc Ferdinand de The Gondreville Mystery A Bachelor’s Establishment Modeste Mignon Scenes from a Courtesan’s Life Granville, Comtesse Angelique de A Second Home A Daughter of Eve Keller, Madame Francois Domestic Peace The Member for Arcis Langeais, Duc de An Episode under the Terror Langeais, Duchesse Antoinette de Father Goriot Ferragus