But she paid no attention to this. Her fingers began to curve back like claws, and her hands assumed the same feline attitude as Mrs. Poor's. It was easy to see that the pluck of the little woman extorted a certain admiration from the very men who had fathers, sons and brothers in the cells beyond. She was not a bit more than half as big as her antagonist, but she looked game to the backbone, and the forthcoming result was not altogether to be predicted. You could have heard a pin drop in the room, as the men leaned over the counter with faces expressive of intensest excitement, while those behind stood on tiptoe to see. For the moment everything else was forgotten in the interest of the impending combat. Mrs. Bement seemed drawing back for a spring. Then suddenly, quick as lightning, she put her hand in her bosom, drew out the keys, and throwing them down on the counter, burst into hysterical sobs. In another moment the jail door was thrown open, and the men were rushing down the corridor. CHAPTER ELEVENTH END OF THE GOINGS ON AT BARRINGTON Then, presently, the jail was full of cries of horror and indignation. For each cell door as it was unbarred and thrown open revealed the same piteous scene, the deliverers starting back, or standing quite transfixed before the ghastly and withered figures which rose up before them from dank pallets of putrid straw. The faces of these dismal apparitions expressed the terror and apprehension which the tumult and uproar about the jail had created in minds no longer capable of entertaining hope. Ignorant who were the occupants of particular cells it was of course a matter of chance whether those who opened any one of them, were the friends of the unfortunates who were its inmates. But for a melancholy reason this was a matter of indifference. So ghastly a travesty on their former hale and robust selves, had sickness and sunless confinement made almost all the prisoners, that not even brothers recognized their brothers, and the corridor echoed with poignant voices, calling to the poor creatures: “What's your name?” “Is this Abijah Galpin?” “Are you my brother Jake?” “Are you Sol Morris?” “Father, is it you?”