Detective and mystery stories; Police -- Great Britain -- Fiction
“Mr. Poole,” she said, when Golpin had disappeared, “I’m going to ask
you for another favour. Will you leave my brother alone tonight? You
won’t get anything more out of him; I haven’t myself—anything really
useful—and I terribly want him not to be more upset. I’m going to find
out more as soon as ever I can, and if you will leave him alone now, I
give you my word of honour that I will tell you everything I find
out—_everything_, even if it doesn’t look well for him. Will you trust
me?”
Poole looked at her. He was taking a big risk if anything went wrong
now—if the man slipped away, unquestioned. But he felt absolutely
certain that the girl was straight and meant what she said. He nodded
his head.
“All right,” he said with a smile. Then, remembering his position,
added more formally: “Very well, Miss Fratten, I will do what you
ask.”
CHAPTER XII
“Breath of Eden”
When Inez left the detective on the first occasion, she found her
brother, where she had left him, in her own sitting-room, hunched up
in an arm-chair and staring gloomily at the fire. If environment has
the effect upon human spirits with which it is now popularly credited,
there was no excuse for the expression on Ryland’s face—Inez’ room was
as cheerful as any London room in November can possibly be. The walls
and ceilings were painted in three shades of peach, the floor covered
with a thick carpet of chestnut brown. The small Heal sofa, and two
arm-chairs, were upholstered in an old-fashioned cretonne, with
cushions of green and brown loosely flung in unsymmetrical profusion.
A rosewood baby-grand piano, a sofa-table, acting now as a
writing-table, a small china cabinet, two or three delicate Sheraton
chairs and old tray tables, and a walnut fire stool completed the
furniture of the room. Over the mantelpiece hung a Chippendale mirror,
while a pair of exquisite girandoles and two coloured Bartolozzi
engravings were the only other ornaments on the walls. Vases of
chrysanthemums and autumn foliage, Florentine candle-lamps, and a
brisk coal and wood fire gave the finishing touches to a very charming
effect.
Inez herself, in a dark grey georgette which made a perfect background
for a single string of exquisitely graded pearls, was very far from
detracting from the beauty of her surroundings as she slipped on to
the arm of the chair beside her brother. Her beauty was only enhanced
by the sombre colour of her clothes and her face now showed none of
the anxiety which her interview with the detective must have
engendered.
“Ry,” she said softly, while her fingers gently caressed her brother’s
shoulder, “who was the mysterious lady of the Birdcage Walk?”
Ryland looked up at her quickly.
“Who told you about that?” he asked sharply.
Inez smiled.
“Anybody who had been at the inquest might have, I suppose; but as a
matter of fact, the handsome but earnest Mr. Poole did.”
Ryland tried to jump up from the chair, but Inez pressed him gently
back.
Public-domain text, read in full here on John Shaqi.
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