The Duke's Motto: A MelodramaMcCarthy, Justin H. (Justin Huntly)
History
The Duke's Motto: A Melodrama
McCarthy, Justin H. (Justin Huntly)
Adventure and adventurers -- Fiction; France -- History -- Louis XIII, 1610-1643 -- Fiction
He looked anxiously about him as he spoke to make sure that the solitude
was still undisturbed. There was not a human being within sight on either
bank of the river. This quiet, this isolation, were very welcome to his
temper just then, for the purpose that had come into Lagardere's mind at
the commencement of the combat had matured, had ripened during its course
into a feasible plan. It had its risks, but what did that matter in an
enterprise that was all risk; and if it succeeded, as, thanks to its very
daring, it might succeed, it promised a magnificent reward. That it
involved the despoiling of a dead body in no way harassed Lagardere. He
was never one to let himself be squeamish over trifles where a great
cause was at stake, and, though much that was inevitable to the success
of his scheme was repellent to him, he choked down his disgust and faced
his duty with a smile. Quickly he dragged the body of his dead enemy
into the shelter and seclusion of the orchard-trees. There, rolling Æsop
on his face, he proceeded nimbly and dexterously to strip his clothes
from his body. Soon the black coat, black vest, black breeches, black
stockings, black boots, and black hat lay in a pile of sable raiment on
the orchard grass. As he garnered his spoil, a little book dropped from
the pocket of the black coat and lay upon the grass. Lagardere picked it
up and opened it with a look of curiosity that speedily changed to one of
aversion, for the book was a copy in Italian of the _Luxurious Sonnets_
of Messer Pietro Arentino, which Lagardere, who knew Italian, found at a
glance to be in no way to his taste, and the little book had pictures in
it which pleased him still less. With a grunt of disgust at this strange
proof of the dead man's taste in literature, Lagardere stepped to the
edge of the orchard, and, holding the volume in his finger and thumb,
pitched it over the open space into the river, where it sank. Having thus
easily got rid of the book, Lagardere began to cast about him for some
way to dispose of the body.
The boats that lay alongside of the little landing-stage caught his eye.
Lifting Master Æsop's corpse from the ground, he trailed it to the crazy
structure, and placed it in the oldest and most ramshackle of the two
weather-worn vessels. After untying the rope that fastened the boat to
its wharf, Lagardere caught up a boat-hook that lay hard by, and, raising
it as if it were a spear, he drove it with all his strength against the
bottom of the boat and knocked a ragged hole in its rotting timbers.
Then, with a vigorous push, he sent the boat out upon the smooth, swift
river.
The vigor of its impetus carried the boat nearly out to the middle of the
stream before the river could take advantage of the leak. Then, in a few
minutes, Lagardere saw the strangely burdened craft slowly sink and
finally settle beneath the surface of the stream.
Public-domain text, read in full here on John Shaqi.
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