The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
Even at this distance of time, as I seek to recall that moment, I can
well believe that the bloody, bestial savagery of the fight--except for
the short, gasping, hissing intaking and expulsion of breath, we fought
in silence--might have turned a possible onlooker sick with loathing
and disgust. But it was soon over. The strain I had put upon myself,
when first grappling with him, was too terrific to last. My strength
suddenly failed me, and I fell backward, his fingers upon my throat.
In our struggle we had worked our way out of the cellar and into the
passage which led to the garden, and, as I went crashing backward,
I saw for one instant, by the light from the lamp-post in the side
street, that his right hand was already at his hip-pocket in search
of a knife. The next instant he was kneeling on my chest, the knife
upraised to strike--just as I had foreseen in the dream-tableau. As
he bent over me to get a yet firmer grip upon my throat, the yellow
lamp-light fell across my face. Out of his face, which had now turned
white and haggard, the blood-fury seemed suddenly to die.
"My God!" he gasped. "It's Grant the detective--and I've killed the
wrong man!"
Then there came into his eyes a look which, seeing it again in dreams
even now, years after, makes me awake with a cry, to find the cold
perspiration from my forehead running down into my eyes, my limbs
trembling and my heart leaping like a frightened creature.
"I've got you at last, Grant, have I!" he said, in a voice of cold
and slow and deadly calmness. "Just now--seeing him go in and out of
your house, and, striking in the dark, as I did--I killed a man whom I
believed to be you. But there can be no mistake this time. I've got you
now, and this time"--he took a firmer grip of the knife--"this time, I
rather guess you're going to die."
CHAPTER XVIII.
I PLAY THE CRAVEN.
Then I played the craven. It is useless to say any more. It is idle to
urge an excuse. I played the craven, and pleaded to the man at whom, a
few minutes before, when he was unprepared, and after he had spared my
life, I had struck a cowardly blow.
"Don't strike!" I gasped. "I'm not Grant--Grant is dead. I've seen his
body. I'll tell you about it, if you'll not strike."
"This," he said--almost drawled--in slow, deliberate accents, "is very
extraordinary and most interesting. I won't promise to spare your life.
But I'll hear your tale. I'll promise nothing else, young man, whoever
you are, till I've heard you out."
My momentary panic was over. Already I was beginning to feel ashamed of
myself. Already the manhood which had deserted me was returning.
Public-domain text, read in full here on John Shaqi.
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