The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
"You carry me completely," I replied, "But--forgive me asking--how is
what you propose accomplishing to be done? Thus far you have dealt
only in generalisations, but generalisations by themselves never yet
brought about a revolution."
"You are absolutely right," he replied quickly. "In the ordinary way
I should say it could not be done for another twenty, thirty, perhaps
another hundred years. There is only one way; but there _is_ a way.
There is only one man who can do it; but there is such a man, as you
yourself will admit when you hear his name."
He stopped, and for at least half a minute looked at me searchingly, as
if uncertain how far he was justified in taking me into his confidence,
but muttering to himself meanwhile, in language which, by the word or
two I caught, I knew to be French. So close was his face to mine that I
saw what at first I thought was my own face mirrored in his eyes. But,
as I looked, the picture-face in his eyes became more definite, and I
knew that the face I saw there was not mine. It was a face there was
no mistaking; a face which every schoolboy, every child, would have
recognised at sight.
And now it seemed to be growing larger until what had been a tiny
picture, in the pupils of the Dumpling's eyes, was the life-size head
of a man, looking at me with eyes of its own--eyes so stern, so cold,
so cruel, so commanding, that the bidding of the set lips beneath them
few men would dare to disobey. At the bidding of those lips, at one
glance from those eyes--men, regiments, an army, even, had gone forth
unhesitatingly to die.
That all this could be seen in the picture, which is formed in the
pupils of one man's eyes, sounds incredible, and I can only explain it
by saying that what I saw lay not in the pupils themselves, but lay
behind those pupils, through which I looked as one looks through a
window.
Then suddenly the face which I had seen faded away. Silhouetted against
the sky, I saw the solitary figure of a man standing upon the rocky
point of an island, and looking out--the soul of him more lonely than
that lone island, so far away from other land, and surrounded by a
wasteful wilderness of waters--the heart of him torn with unrest,
wilder, sadder, more hopeless, than the surging, sobbing unrest of
those surrounding seas.
Then, too, this picture faded, and I was looking upon the face of the
Dumpling, and listening to the words which fell sharply, incisively,
from his lips.
Clearly he had decided to trust me with his great secret, and something
of the excitement which I saw upon his face communicated itself to me
as I listened.
Public-domain text, read in full here on John Shaqi.
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