The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
Not less wretched was the situation of the hundreds who remained.
Racking fears were their portion day and night; death was in their
hearts. Every evening a new list came in. The "ferocious" Guiard had a
very suitable assistant in a turnkey called Verney, whose duty is was to
read out the roll of the proscribed, and who did it with a terrible art,
dallying with the syllables of a name, and pausing to watch the strained
faces around him. Sometimes instead of reading the list, he would pass
it round, when the struggle to reach it prolonged the agony. An
eyewitness of the scene has left a description:
"In the evening, those prisoners who were allowed to do so assembled
in one of the large rooms and played, or made a pretence at playing,
vingt-et-un, chess, and other games. While these were in progress,
the terrible Verney, head turnkey, appeared, bringing what was
called the lottery list. This little paper contained the names of
those who were to go the same night to the Conciergerie, and the
next morning to the guillotine. The fatal list went round amid the
most pitiful silence. Those who found their names on it rose pale
and trembling from the table, embraced and bade farewell to their
friends, and left us. Verney would then produce the evening paper,
where we read the list of the day's dead,—the dead who had been at
the table with us the night before! I was playing chess one evening
with General Appremont, General Flers looking on. I had just put him
in check when the summons came for him, and Verney carried him off.
Flers took the vacant seat, with a pretence of finishing the game,
when he too was called. This officer had proved his courage in
battle a score of times, but I have never seen terror so horribly
painted on any human countenance. His whole visage seemed undone,
and when he struggled to his feet, he could scarcely support
himself. He gave me his hand, speechless, and staggered from the
room."[22]
Footnote 22:
_Les Prisons de l'Europe._
Public-domain text, read in full here on John Shaqi.
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