The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
these forms against their husbands, husbands against their wives,
fathers against their children, men-about-town against their rivals in
love, debtors against their creditors, opera-dancers against the lovers
who had slighted them. If one but had the ear of the King, or the King's
mistress, or the King's minister, or the King's chief of police, or of a
friend or a friend's friend of any of these potentates, there was no
grudge, jealousy, or enmity which one might not satisfy by means of a
_lettre de cachet_,—that instrument which was so sure a safegard against
the "errors and abuses" of imprisonment, because it carried the
signature of the King and his minister! And the cases in which these
scraps of paper were used merely for the ruin, the torment, or the
temporary defeat of a private enemy, often had the cruelest results. The
enemy and the enmity were forgotten, but the _lettre de cachet_ had not
been cancelled, and the prisoner still bided his day. Persons who had
never been convicted of crimes, and other persons who had never been
guilty of crimes, lay for years in the Bastille, forgotten and uncared
for. "There are prisoners who remain in the Bastille," said Linguet (who
spent two years there), "not because anybody is particularly anxious
that they should remain, but because they happen to be there and have
been forgotten, and there is nobody to ask for their release." Captain
Bingham, the English apologist of the Bastille, discussing the cases of
certain criminals who were arbitrarily dealt with by _lettres de
cachet_, says that in England at the present day they "would be
prosecuted according to law, and most probably committed to prison."
Very good! But is there no difference between the situation of the
criminal who, after conviction in open court, is sent to prison for a
fixed term of weeks, months, or years, and that of the "criminal" who
goes to prison uncondemned and untried, and who cannot gauge the length
of his imprisonment? Far enough from being "not so easy" to get into the
Bastille, the passage across those two drawbridges and through those
five massy gates was only too dreadfully simple for all who were
furnished against their wills with the "open sesame" of the _lettre de
cachet_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account