The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
"Amongst the class of swindlers, so numerous in Saint-Lazare, who
boast their skill in exploiting the ambitious fools of Paris, you
might recognise beneath the prison cap, so coquettishly worn, dames
whom you had met perchance in the most elegant houses in town, and
whose protection you might have sought. This one was a countess,
that one a baroness, and, rightly or wrongly, the badge of nobility
was painted on the panels of their carriages. Did you need the
friendly word of a minister or the countenance of a capitalist, it
was enough that you were known to have one of these angels for your
friend. There were four of them in the sewing-room of
Saint-Lazare,—rogues and swindlers of the first water! For years
these corsairs have laid violent hands on all fortunes they could
come at, but they continue to hold a position in society which is in
itself a more scathing satire on the morals of the age than any
which I am able to imagine. At intervals, these dames are lodged for
a time at the country's cost in one or other of the houses of
detention, without, however, losing one jot or tittle of their
prestige in the world of fashion! When they reappear, society
receives them open-armed, as poor banished exiles who have returned
to the fatherland, or prodigal children whose wanderings are ended."
Nothing delighted plebeian Saint-Lazare so much as to hear the
countesses and baronesses discussing the merits, as a gallant, of this
or the other minister, nobleman, poet, or banker of renown; and the
interest culminated when the question arose as to which of the two could
produce the greater number of letters signed by names with which all
Paris was familiar.
Roving like satellites around these gaudy planets were a small class of
habitual criminals who, out of prison, served the noble adventuresses in
several offices, as spies, go-betweens, receivers, etc. These also
enjoyed a certain celebrity in the prison. One of them used to open
chestnuts with a knife with which, in a passion of jealousy, she had all
but murdered her lover, and which had become an object of the devoutest
worship since the lover had gone to hide his scars under the red jacket
of the galley-slave. Another woman arrived at the prison in a flutter of
pride, eager to display a novel charm which decorated her ears. She also
had lost her latest lover, but _Monsieur de Paris_ had been kind enough
to extract for her two teeth from the head which he had just severed.
The disconsolate mistress had had them set in gold as earrings! Nearly
all these women carried on the neck, arms, and upper portion of the body
specimens of the work of the professional tattooer; they preserved in
this way the names of their successive lovers, and the figured emblems
sometimes included the most ignoble devices.
Public-domain text, read in full here on John Shaqi.
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