The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
In the early years of the Restoration, Marie M——, a pretty peasant girl,
was sent to Saint-Lazare for stealing roses. She had a passion for the
flower, and a thousand mystical notions had woven themselves about it in
her mind. She said that rose-trees would detach themselves from their
roots, glide after her wherever she went, and tempt her to pluck their
blossoms. One in a garden, taller than the rest, had compelled her to
climb the wall, and gather as many as she could,—and there the
_gendarmes_ found her. She was terrified in prison, believing that when
she went out the roses would lure her amongst them again, and that she
would be sent back to Saint-Lazare.
This poor girl excited the vividest interest amongst the _femmes
publiques_ in that sordid place. They plotted to restore her to her
reason, christened her Rose, which delighted her, and set themselves to
make artificial roses for her of silk and paper. Those fingers, so
rebellious at allotted tasks, created roses without number, till the
cell of Marie M—— was transformed into a bower. An intelligent director
of prison labour seconded these efforts, and opened in Saint-Lazare a
workroom for the manufacture of artificial flowers, to which Marie M——
was introduced as an apprentice. Here, making roses from morning till
night, and her dread of the future dispelled, the malady of her mind
reached its term with the term of her sentence, and she left the prison
cured and happy. The authors of _Les Prisons de Paris_, from whose pages
her story is borrowed, declare that Marie M—— became one of the most
successful florists in Paris.
[Illustration]
------------------------------------------------------------------------
[Illustration]
CHAPTER XII.
LA ROQUETTE.
There is to be a flitting of the guillotine. For nearly fifty years
executions in Paris, which are not private as with us, have taken place
immediately outside the prison of La Roquette, known officially as the
_dépôt des Condamnés_.
Four slabs of stone sunk in the soil, a few yards beyond the gaol door,
mark the spot where, on the fatal morning, at five in summer, and about
half-past seven in winter, the red "timbers of justice" are set up by
the headsman's assistants.
But La Roquette is to be demolished, and the dismal honour of furnishing
a last lodging to the condemned will be conferred on La Santé. This
change effected, the guillotine will flit to the Place Saint-Jacques.
Criminals of a modest habit will not approve the change, but the
murderer with a touch of vanity (and vanity is notoriously a weakness of
murderers) will doubtless welcome it; for the progress from the prison
to the scaffold will be somewhat longer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account