The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
Colonel Duvergier was on the political, and Eugène de P—— on the
debtors' side of Sainte-Pélagie, but they had succeeded in establishing
a correspondence by letter; and Eugène, not over-eager for his own
liberty, seems to have taken upon himself to procure the colonel's. With
Colonel Duvergier was one Captain Laverderie, and the colonel refused to
go out unless the captain could share his escape. Eugène de P—— said the
captain should go also, and the plot went forward.
The first step was to get the colonel and his friend from the political
to the debtors' side of the prison, and this was contrived at the
exercise hour. When the political prisoners were being marched in, to
give place to the debtors—there being but one exercise yard for the two
classes—Duvergier and Laverderie escaped the warder's eye, and hid in
the garden, until the debtors came out for their constitutional.
Nowadays, the warder would have counted his flock, both on coming out
and on going in; but the colonel and the captain seem to have had no
difficulty, either in attaching themselves to the debtors or in taking
refuge, after the exercise hour, in the cell of a debtor who was a party
to the scheme.
So far, however, the fugitives had succeeded only in changing their
quarters in the prison; and the next step was to procure for them two
visitors' passes. These passes, deposited with the gate-warder when
visitors entered, were returned to them as they left the prison. How to
place in the warder's hands passes bearing the names of two "visitors"
who had not entered the prison? The adroit Eugène thought it not too
difficult.
He had a friendly warder at the gate who was much interested in some
sketches which Eugène was making in the prison, and went down to him one
day with his portfolio in his hand. "A few fresh sketches you might like
to look at." While the Argus of the gate was amusing himself with
Eugène's drawings, Eugène himself feigned astonishment at the number of
visitors to the prison, as evidenced by the quantity of passes lying
loose on the table. He expressed no less surprise that the warder should
have so little care of them; why not keep the passes in a handy case,
such, for example, as Eugène used for his drawings?
The warder thought he would ask the governor for one. "You needn't
trouble the governor," said Eugène; "take mine. Look, what could be
better!" and in filling the portfolio with the visitors' passes, he
slipped in two others.
At that psychological instant, Duvergier and Laverderie presented
themselves at the gate.
"Your names, messieurs?" and they gave the names which were entered on
Eugène's passes.
The passes were turned up, the warder handed them over, and—still
thanking Eugène for his present—bowed the fugitives out of the prison.
[Illustration]
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[Illustration]
CHAPTER VIII.
THE ABBAYE.
Public-domain text, read in full here on John Shaqi.
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