British -- Cuba -- Fiction; Cuba -- History -- Revolution, 1895-1898 -- Fiction
Then the conversation turned on other topics until Tony and Violet took
their leave, but when she shook hands with him Hester reminded Tony of
his promise. It was, however, almost a month later when he was called
upon to keep it and finding no excuse available drove into the
neighboring town one evening. He was welcomed somewhat effusively when
he entered an ante‐room of the assembly hall, and then taken to a place
that had been kept for him beside Violet and her mother. The concert
very much resembled others of the kind, and neither Tony nor his
companions paid much attention to the music until Mrs. Wayne looked up
from her programme.
“Thérèse Clavier. Costume dance!” she said. “No doubt they called it
that to pacify the vicar. Well, she is pretty, if somewhat elaborately
got up. Doesn’t she remind you of somebody, Violet?”
Tony glanced at the stage, and gasped. A girl with dark hair in
voluminous flimsy draperies came on with a curtsey and a smile, and a
little chill ran through him before he heard Violet’s answer.
“Lucy Davidson. But of course it can’t be she,” she said. “This woman is
older and has darker hair, though that, perhaps, does not count for very
much, while Lucy could never have acquired her confidence.”
Tony said nothing. He was staring across the rows of heads and watching
the girl. She appeared older, bolder, and harder than Lucy Davidson had
done, but the likeness was still unpleasantly suggestive. She danced
well, but it was not the graceful posing or the swift folding and
flowing of light draperies that held Tony’s attention. His eyes were
fixed upon the smiling face, and he scarcely heard the thunder of
applause or Mrs. Wayne’s voice in the silence that followed it.
“Effective, and yet nobody could take exception to it,” she said. “But
don’t you come on next, Tony?”
Tony, who had not remembered it, stood up suddenly, knocking down the
hat of a man beside him, and trod upon the girl’s dress as he passed.
She glanced up at him sharply, for he was seldom awkward in his
movements, but he was looking another way. The audience was also getting
impatient, and there was a clapping of hands and stamping of feet before
he appeared upon the stage. Then he sat down fingering his banjo pegs,
and twice asked the accompanist for a note on the piano.
“Any other man would have done that before,” said Mrs. Wayne. “Still, I
suppose Tony cannot help it, and he seems contented now.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account