British -- Cuba -- Fiction; Cuba -- History -- Revolution, 1895-1898 -- Fiction
It was Hester who broke the silence. “Your question has been answered,
Nettie,” she said. “It is decided that the person who did the wrong is
the one to right it; and now we’ll change the topic. The entertainment
we had at Darsley was, as you know, an immense success, so great,
indeed, that as we still want money we have decided to have another.”
“Still, it seems to me you can’t consistently inflict any more tickets
on the Darsley tradesmen,” said Tony, who appeared desirous of
concealing his relief. “The fact is, I was rather sorry for one or two
of them. Rawley told me he had to buy at least two half‐crown tickets
from each of his leading supporters. I don’t think it would be decent to
bleed them any more.”
Hester laughed. “That difficulty has been provided for, and I told
everybody that I sent tickets to that it would be conducive to success
if when they broached the subject they paid their bills. This time we
intend to put the screw on our friends. You see, it is some time since
we had any little relaxation among ourselves.”
“A concert isn’t really very amusing,” said Tony. “Anyway, not when you
have to sing at it.”
“That depends. This one will be; and since it isn’t exactly a concert it
will have the virtue of novelty. We intend to hold it here by moonlight
and limelight on the lawn. The tickets will be invitation ones at half‐
a‐guinea.”
“Where will you get your limelights from? I believe that kind of thing
costs a good deal,” said Tony.
“I don’t know. The privilege of being allowed to supply them has been
allotted to Mr. Anthony Palliser. He is also put down for a song.”
Tony made a gesture of resignation. “It will most likely rain.”
“Still, the tickets will have been sold, and if it does rain the people
who can’t get into the big billiard room can sit out in couples in the
hall, which will probably please them just as well. We, however, mean to
have it outside if we can. We want the limelights for the tableaux and
costume dancing.”
“Who have you got to dance?” said Tony with evident concern.
“Miss Clavier—the young woman who pleased everybody that night at
Darsley. The vicar doesn’t mind. Have you very strong objections to
skirt dancing, Tony?”
“No,” said Tony slowly, and Nettie fancied his voice was a trifle
strained. “Of course I haven’t. Still, you must not depend too much on
me. I mean I’ll get the limelights, and buy as many tickets as can be
reasonably expected of me, but whether I’ll be there or not is another
affair. I have to go up to London now and then, you see.”
The last was so evidently an inspiration that Hester laughed as she
glanced at him. “We will contrive to fix a night that will suit you,”
she said. “I fancy you had better submit quietly, Tony.”
Tony murmured something which was not wholly flattering to the promoters
of such entertainments, and when he and Violet Wayne took their leave
Hester glanced at Nettie.
“I wonder why Tony is anxious not to meet Miss Clavier again,” she said.
Public-domain text, read in full here on John Shaqi.
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