"I noticed that," observed Malling, "and purposed later to point it out
to you."
"How can I explain exactly? It is so difficult to unravel the web of
motives in a mind. It was my _maladie de grandeur_, I think, that made
me long to use my worshiper Chichester as a mere tool for the opening of
that door which shuts off from us the region the dead have entered. My
mind at that time was filled with a mingled conceit, amounting at moments
almost to an intoxication, and a desire for knowledge. I reveled in my
power when preaching, but was haunted by genuine doubts as to truth. My
egoism longed to make an utter slave of Chichester (I nearly always
lusted to push my influence to its limit). But my desire to know made me
conceive the pushing of it in a direction, in this instance, which would
perhaps gratify a less unworthy desire than that merely of subjugating
another. The two birds and the one stone! I thought of them. I loved the
idea of making a tool. I loved also the idea of using the tool when made.
And I pretended I had only Chichester's moral interest at heart. I have
been punished, terribly punished.
"We sat, as I say, in Hornton Street, secretly, and of course at night.
My wife knew nothing of it. I made excuses to get away--parish matters,
meetings, work in the East End. I had no difficulty with her. She thought
my many activities would bring me ever more and more into the public
eye, and she encouraged them. The people in the house where Chichester
lodged were simple folk, and were ready to go early to bed, leaving
rector and curate discussing their work for the salvation of bodies and
souls.
"At first Chichester was reluctant, I know. I read his thoughts. He was
not sure that it was right to approach such mysteries; but, as usual, I
dominated him silently. And soon he fell completely under the fascination
peculiar to sittings."
Again Mr. Harding paused. For a moment his head sank, his powerful body
drooped, he was immersed in reverie. Malling did not interrupt him. At
last, with a deep sigh, and now speaking more slowly, more unevenly, he
continued:
Public-domain text, read in full here on John Shaqi.
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