The Dyeing of Cotton Fabrics: A Practical Handbook for the Dyer and StudentBeech, Franklin
Science
The Dyeing of Cotton Fabrics: A Practical Handbook for the Dyer and Student
Beech, Franklin
Dyes and dyeing -- Cotton
By a one-bath process 5 lb. of logwood are made into a decoction and to
this 1 lb. of copperas (ferrous sulphate) is added and the cotton is
dyed at about 150 deg. F. in this bath. By adding to the dye-bath small
quantities of other dye-woods, fustic, peach wood, sumach, etc., greys
of various shades are obtained. Some recipes bearing on this point are
given in this section.
Logwood is not only used for dyeing blacks and greys as the principal
colouring matter, but is also used as a shading colour along with cutch,
fustic, quercitron, etc., in dyeing olives, browns, etc., and among the
recipes given in this section examples of its use in this direction will
be found.
The dye-woods--fustic, Brazil wood, bar wood, Lima wood, cam wood,
cutch, peach wood, quercitron bark, Persian berries--have since the
introduction of the direct dyes lost much of their importance and are
now little used. Cutch is used in the dyeing of browns and several
recipes have already been given. Their production consists essentially
in treating the cotton in a bath of cutch, either alone or for the
purpose of shading with other dye-woods when the cotton takes up the
tannin and colouring matter of the cutch, etc. The colour is then
developed by treatment with bichromate of potash, either with or without
the addition of an iron salt to darken the shade of brown.
The usual methods of applying all the other dye-woods, to obtain
scarlets to reds with Brazil wood, Lima wood, peach wood; or yellows
with fustic, quercitron or Persian berries, is to first prepare the
cotton with sumac, then mordant with alumina acetate or tin crystals
(the latter gives the brightest shades), then dye in a decoction of the
dye-woods. Sometimes the cotton is boiled in a bath of the wood when it
takes up some of the dye-wood, next there is added alumina acetate or
tin crystals and the dyeing is continued when the colour becomes
developed and fixed upon the cotton.
Iron may be used as a mordant for any of these dye-woods but it gives
dull sad shades.
Chrome mordants can also be used and these produce darker shades than
tin or alumina mordants.
As practically all these dye-woods are now not used by themselves it has
not been deemed necessary to give specific recipes for their
application, on previous pages several are given showing their use in
combination with other dyes.
The dye-stuff Dinitroso-resorcine or Solid green O is used along with
iron mordants for producing fast greens and with chrome mordants for
producing browns to a limited extent in cotton dyeing. The following
recipes give the details of the process.
Public-domain text, read in full here on John Shaqi.
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