To describe and illustrate the application of all the various woollen
dye-stuffs, whether of natural or artificial origin, and to show the
great variety of shades, etc., which can be obtained with them, either
all one or in combination, would require not one, but many volumes of
the size that this present work is intended to be. Therefore, it
becomes necessary to make a selection from the best-known and most
used of the various dyes, and illustrate their application by a number
of recipes, all of which, unless otherwise stated, are intended to be
for 100 lb. weight of woollen material of any kind. It may also be
pointed out that, as a rule, the recipes may be applied to the dyeing
of fabrics made with other animal fibres than the wool of the sheep,
as, for alpaca, cashmere, camel-hair, hare or rabbit fur, etc., (p. 083)
inasmuch, as, with the exception of silk, all animal fibres practically
possess the same dyeing properties.
It will be convenient to point out here that a very large proportion
of the shades dyed on wool and other fabrics are obtained, not by the
use of a single dye-stuff, although this should always be done,
whenever possible, but by the combination of two or more dye-stuffs
together in various proportions. It is truly astonishing what a great
range of shades can thus be dyed by using two or three dyes suitably
mixed together, and one of the things which go to making a successful
dyer and colourist is the grasping of this fact by careful
observation, and working accordingly. Dyers will find much assistance
in acquiring a knowledge of colour and colour mixing from the two
little books on _Colour_, by Mr. George H. Hurst, and the _Science of
Colour Mixing_, by Mr. David Paterson, both issued by Messrs. Scott,
Greenwood & Co., the publishers of the present work.
#Black on Wool.#--Until within a comparatively recent time black was
dyed on wool solely by the use of logwood, combined with a few other
natural dye-stuffs, such as fustic, indigo, etc., but of late the
researches of colour chemists have resulted in the production of a
large number of black dyes obtained from various coal-tar products.
These have come largely into use, but still, so far they have not been
able to entirely displace logwood, chiefly on the score of greater
cost, the use of the natural dye still remaining the cheapest way of
producing a black on wool; although the blacks yielded by some of the
coal-tar black dyes are superior to it in point of intensity of colour
and fastness to scouring, acids and light, as well as being easier to
dye.
Blacks may be obtained from logwood by several methods, either by
previous mordanting of the wool or by the stuffing and saddening
methods, or by the one-bath process. The following recipes will (p. 084)
show how these various methods are carried out in practice:--
Public-domain text, read in full here on John Shaqi.
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