The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
Into this liquor the cotton should be worked hank by hank, often stirring
it; the cotton, after all the hanks have been worked separately first, is
then left in the liquor for twelve hours; it is then taken out, lightly
wrung and dried. The liquor is put by for brightening. This process is
repeated three times during the working; and by the time the solution is
all worked four hundred quarts might be used, but that will not injure
the clear of it from being applied in brightening; and it must be
reserved for that purpose.
When the cotton has been three times dipped in this soapy water, and
three times dyed, the same process is repeated, except that the sheep's
dung is left out; the liquor is also preserved for brightening. The
cotton, having gone through these processes, should be as white as if it
had been bleached.
When dry it is to be galled, using a quarter of a pound of galls to every
pound of cotton; after this it is dried, then take six ounces of alum for
the first aluming; it is then to be dried again, and to hang three or
four days in the air, and then, when dry, to be alumed again; four ounces
of alum, and four of the lixivium may be added to the last alum water.
The madder used for this red is called _lizary_, which furnishes a dye
incomparably finer than that produced by any other madder. Of lizary
madder, therefore, take two pounds for every pound of cotton, and twenty
pounds of liquid sheep's blood well mixed with the water in the copper
before the madder is put in. The butcher should stir the blood to prevent
its coagulating; the copper should be carefully skimmed; the madder
should not boil, but be brought during the process from blood-heat to
within a few degrees of the boiling point: if it boil at last, as some
prefer it, it should only be for a few minutes.
In order to brighten the colour, the cotton is dipped in a lixivium of
fresh wood ashes, and five pounds of _white_ soap: yellow or mottled soap
is improper. When the cotton has been well worked in this liquor, it is,
with the liquor itself, put into a copper sufficiently large to hold it
with some addition of water, and made to boil over a slow fire, for
three, four, or more hours. The liquor must be covered with coarse white
linen cloths, to keep as much steam in as possible.
Some of the skeins of cotton must be taken out from time to time, and
washed perfectly; when the red is judged perfect and sufficiently bright,
the fire is withdrawn.
If instead of the wood-ash lixivium and soap, the two reserved liquors
and soap are used, the red will be much brighter than the finest
Adrianople carnation.
_Miscellaneous observations relative to_ ADRIANOPLE RED.
Public-domain text, read in full here on John Shaqi.
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