The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
_To dye cotton skein a_ DUCK'S WING GREEN _and_ OLIVE.
This is performed by a blue ground, next galling, dipping in the black
vat, then in the weld dye, then in verdigris, remembering to wash off
previously to performing each process.
_Olive_ is to be performed with weld or old fustic, verdigris, and Brazil
wood.
_Of_ BROWNS, MAROONS, COFFEE-COLOURS, _&c._
It would answer little purpose to enlarge this treatise with a detail of
all the possible methods of producing the various shades of these several
colours, the whole consisting in the use of galls, verdigris, sulphate of
copper, weld, and madder.
By welding a stuff previously maddered for _red_ you may produce a _gold_
colour; and by dipping the same red in a blue vat you obtain a _plum_
colour.
_Observations on_ SILK.
Silk, as it is obtained from the cocoons of the worm, is generally of an
orange or yellow colour, more or less dark; in the South of France it is
generally very dark: its natural shade is unfavourable to almost all
other colours. It is also imbued with a kind of varnish or gum, which
makes it stiff and hard; this stiffness is improper in the fabrication of
most silk stuff, it is therefore _ungummed_, as it is called, by the
following processes.
_On ungumming and boiling silk._
_Observe_, that throughout the following processes for silk _white_ soap
is directed to be used; and, generally speaking, we believe it will be
found the best, more especially for the more delicate operations. Yet
_Mr. M'Kernan_, in his process for ungumming silk, directs yellow soap
and soft soap in equal parts, and of the same weight as the silk to be
used: he adds, however, that different sorts of silk require more or less
soap; the best rule he finds, nevertheless, is _the same weight of soap
as of silk_: and he says also, that yellow soap and soft soap of the best
quality he finds the best for this purpose.
The silk is divided into hanks, each hank is tied with a string, several
of these are tied together (a handful of them) by putting a piece of
string through each separate skein, and tying the piece of string in a
long tie to slip easily when they are wanted to be untied.
A liquor is prepared of thirty pounds of _white_ soap to a hundred pounds
of silk; the soap is cut into small pieces and boiled in water, when it
is dissolved the fire is damped.
While the liquor is preparing the skeins of silk are put on rods; as soon
as the soap liquor becomes a little below boiling heat (for it should not
boil, as boiling would tangle the silk) the silk is to be put into it in
an oblong copper, being nearly full; it is to remain in the liquor till
its gummy matter has left it, which will be seen by its whiteness and
flexibility. It is then turned end for end on the rods, that the part
above the liquor may undergo the same operation. As soon as this is
accomplished the silk is taken out of the copper, the hanks which were
first turned being soonest done.
Public-domain text, read in full here on John Shaqi.
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