The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
The least tincture of sulphate of iron in the water saddens the crimsons,
takes off their yellow, and gives the violet cast; but if too much of the
yellow is carried off, it may be restored by fustic. Nothing but sulphate
of iron will sadden grain scarlets, logwood being quite useless for this
purpose; sulphate of iron darkens greatly with galls. _Macquer_.
_Another process for_ CRIMSON.
When the silk is boiling in the soap-liquor, add one ounce of annatto,
for every pound of silk, working it through the colander as directed,
(page 136.) but without the composition or tartar: in some shades,
however, both composition and tartar are admitted. The solution applied
to cochineal with worsted has a considerable effect, changing it from a
crimson, its natural colour, to a very bright fire colour; but it
produces only a crimson when applied to silk; it gives, however, this
colour a very beautiful tint; for, uniting with the tartar, it increases
the effect without impoverishing the colour, and saving the annatto
ground. _Macquer_.
CRIMSON _by Brazil wood_.
The silk should be first alumed, and then passed through a strong
decoction of Brazil wood, half a pail to a pound of silk, which is to be
worked, and put through an additional and strengthened dye of Brazil
wood, and then washed off: if in _hard_ water this will generally crimson
the Brazil wood sufficiently; but if in soft water a little pearl-ash
must be added; about one pound of the clear solution of pearl-ash, or
rather the clear solution of a pound of pearl-ash, as one pound of water
will not, we believe, dissolve a pound of pearl-ash: this is enough for
forty pounds of silk.
_The decoction of Brazil wood_ is prepared thus: one hundred and fifty
pounds of Brazil wood chips are put into a copper which holds about sixty
buckets of water; the copper is then filled with water and boiled for
three hours, the waste by evaporation being occasionally supplied. The
fire is now damped, the clear liquor drawn off, the copper filled again,
and again boiled for three hours more. This process is repeated four
times in all, when the dye of the wood will be fully extracted.
_Logwood_ and _old fustic_ are treated in the same manner, but only two
boilings are required for these.
In regard to crimson generally, see forward, _observations on dyeing silk
crimson and scarlet_, and also some _observations_ on the _dyeing of wool
scarlet_, page 85.
_Of fine_ VIOLET.
Public-domain text, read in full here on John Shaqi.
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