The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
The silk being alumed as usual rather strongly, is washed off and divided
on the sticks into small hanks of about four or five ounces, that it may
be equally and easily managed in the working, from the yellow to green,
in the blueing from the blue vat.
Weld is then boiled as stated in the article concerning _yellow_; when
boiled, a liquor of it is prepared strong enough to give a lemon ground;
the silk is then turned with all the expedition, care, and caution
possible, that it may be even. When it appears full enough, some of the
threads are to be separated and dipped in the vat, to determine this. If
not full enough, more of the weld liquor must be added to the dye bath,
and the silk returned and tried again, and so on; when the colour is
right, the silk is washed off and beetled. It is then wrung and formed
into hanks, and dipped skein by skein in the blue vat, the same as the
blue and the purple should be; it must be wrung with equal care and
dispatch.
This green is a kind of _sea-green_, of which there are upwards of twenty
shades. The lighter shades, when taken out of the vat, are not washed but
the silk must be worked in the hands by clapping it between them, and
then be carefully opened and aired. A few threads are then washed, or
rinsed; if the colour be right the whole is washed.
For the dark shades, when the weld is exhausted a little logwood is added
to the liquor; in some cases, old fustic, in some annatto.
For _very dark-wing_ or _bottle-green_ shades, a little sulphate of iron
is required.
OLIVES.
Proceed in aluming, &c. the same as for other colours; the weld liquor
being stronger, some logwood must be added. When the weld and logwood are
exhausted a very small quantity of each must be added, which green the
liquor, when the silk being passed through, a _greenish olive_ is
produced.
A _reddish olive_ requires fustic, instead of logwood and pearl-ash, both
of these being omitted.
Fustic gives a colour commonly called _drab-olive_ upon cloth, because
generally made to match with olive, this is commonly redder than the
preceding.
_On dyeing silk_ GREY.
All the _greys_, namely, _nut-greys_, _thorn-greys_, _black_ and
_iron-greys_, and others of the same hue, black-grey excepted, are
produced without aluming. The silk being washed from the soap and drained
on the peg, a liquor is made of fustic, archil, logwood and sulphate of
iron: fustic gives the ground, archil the red, logwood darkens, and the
sulphate of iron softens all these colours, turns them grey, and, at the
same time, serves instead of alum as a mordant.
As there is an infinite variety of greys, without any positive names,
produced by the same methods, it would be endless to enter into details,
which would prolong this treatise to little purpose.
For _reddish-grey_ the archil should predominate; for those more grey,
the logwood; and for those rather greenish, the fustic.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account