The young man had embraced the art of Raphael, partly from a notion of its ease, partly from an inborn distrust of offices. He scorned to bear the yoke of any regular schooling; and proceeded to turn one half of the dining-room into a studio for the reproduction of still life. There he amassed a variety of objects, indiscriminately chosen from the kitchen, the drawing-room, and the back garden; and there spent his days in smiling assiduity. Meantime, the great bulk of empty building overhead lay, like a load, upon his imagination. To hold so great a stake and to do nothing, argued some defect of energy; and he at length determined to act upon the hint given by Mrs. Luxmore herself, and to stick, with wafers, in the window of the dining-room, a small handbill announcing furnished lodgings. At half-past six of a fine July morning, he affixed the bill, and went forth into the square to study the result. It seemed, to his eye, promising and unpretentious; and he returned to the drawing-room balcony, to consider, over a studious pipe, the knotty problem of how much he was to charge. Thereupon he somewhat relaxed in his devotion to the art of painting. Indeed, from that time forth, he would spend the best part of the day in the front balcony, like the attentive angler poring on his float; and the better to support the tedium, he would frequently console himself with his clay pipe. On several occasions, passers-by appeared to be arrested by the ticket, and on several others ladies and gentlemen drove to the very doorstep by the carriageful; but it appeared there was something repulsive in the appearance of the house; for with one accord, they would cast but one look upward, and hastily resume their onward progress or direct the driver to proceed. Somerset had thus the mortification of actually meeting the eye of a large number of lodging-seekers; and though he hastened to withdraw his pipe, and to compose his features to an air of invitation, he was never rewarded by so much as an inquiry. ‘Can there,’ he thought, ‘be anything repellent in myself?’ But a candid examination in one of the pier-glasses of the drawing-room led him to dismiss the fear. Something, however, was amiss. His vast and accurate calculations on the fly-leaves of books, or on the backs of playbills, appeared to have been an idle sacrifice of time. By these, he had variously computed the weekly takings of the house, from sums as modest as five-and-twenty shillings, up to the more majestic figure of a hundred pounds; and yet, in despite of the very elements of arithmetic, here he was making literally nothing.