The Dynasts: An Epic-Drama of the War with NapoleonHardy, Thomas
History
The Dynasts: An Epic-Drama of the War with Napoleon
Hardy, Thomas
Napoleon I, Emperor of the French, 1769-1821 -- Drama; Napoleonic Wars, 1800-1815 -- Drama
Endowed with enlarged powers of audition as of vision, we are struck
by the mournful taciturnity that prevails. Nature is mute. Save
for the incessant flogging of the wind-broken and lacerated horses
there are no sounds.
With growing nearness more is revealed. In the glades of the forest,
parallel to the French columns, columns of Russians are seen to be
moving. And when the French presently reach Krasnoye they are
surrounded by packs of cloaked Cossacks, bearing lances like huge
needles a dozen feet long. The fore-part of the French army gets
through the town; the rear is assaulted by infantry and artillery.]
SPIRIT OF THE PITIES
The strange, one-eyed, white-shakoed, scarred old man,
Ruthlessly heading every onset made,
I seem to recognize.
SPIRIT OF THE YEARS
Kutuzof he:
The ceaselessly-attacked one, Michael Ney;
A pair as stout as thou, Earth, ever hast twinned!
Kutuzof, ten years younger, would extirp
The invaders, and our drama finish here,
With Bonaparte a captive or a corpse.
But he is old; death even has beckoned him;
And thus the so near-seeming happens not.
[NAPOLEON himself can be discerned amid the rest, marching on foot
through the snowflakes, in a fur coat and with a stout staff in his
hand. Further back NEY is visible with the remains of the rear.
There is something behind the regular columns like an articulated
tail, and as they draw on, it shows itself to be a disorderly rabble
of followers of both sexes. So the whole miscellany arrives at the
foreground, where it is checked by a large river across the track.
The soldiers themselves, like the rabble, are in motley raiment,
some wearing rugs for warmth, some quilts and curtains, some even
petticoats and other women's clothing. Many are delirious from
hunger and cold.
But they set about doing what is a necessity for the least hope of
salvation, and throw a bridge across the stream.
The point of vision descends to earth, close to the scene of action.]
SCENE X
THE BRIDGE OF THE BERESINA
[The bridge is over the Beresina at Studzianka. On each side of
the river are swampy meadows, now hard with frost, while further
back are dense forests. Ice floats down the deep black stream in
large cakes.]
DUMB SHOW
The French sappers are working up to their shoulders in the water at
the building of the bridge. Those so immersed work till, stiffened
with ice to immobility, they die from the chill, when others succeed
them.
Cavalry meanwhile attempt to swim their horses across, and some
infantry try to wade through the stream.
Another bridge is begun hard by, the construction of which advances
with greater speed; and it becomes fit for the passage of carriages
and artillery.
Public-domain text, read in full here on John Shaqi.
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