The Dynasts: An Epic-Drama of the War with NapoleonHardy, Thomas
History
The Dynasts: An Epic-Drama of the War with Napoleon
Hardy, Thomas
Napoleon I, Emperor of the French, 1769-1821 -- Drama; Napoleonic Wars, 1800-1815 -- Drama
In the midst comes the EMPEROR with the Sappers of the Guard,
the Marines, and the Young Guard. The clatter brings the scared
inhabitants to their doors and windows. Cheers arise from some
of them as NAPOLEON passes up the steep street. Just beyond the
town, in front of the Bellevue Inn, he dismounts. A chair is
brought out, in which he sits and surveys the whole valley of the
Sambre. The troops march past cheering him, and drums roll and
bugles blow. Soon the EMPEROR is found to be asleep.
When the rattle of their passing ceases the silence wakes him. His
listless eye falls upon a half-defaced poster on a wall opposite--
the Declaration of the Allies.
NAPOLEON [reading]
“... Bonaparte destroys the only legal title on which his existence
depended.... He has deprived himself of the protection of the law,
and has manifested to the Universe that there can be neither peace
nor truce with him. The Powers consequently declare that Napoleon
Bonaparte has placed himself without the pale of civil and social
relations, and that as an enemy and disturber of the tranquillity
of the world he has rendered himself liable to public vengeance.”
His flesh quivers, and he turns with a start, as if fancying that
some one may be about to stab him in the back. Then he rises,
mounts, and rides on.
Meanwhile the right column crosses the Sambre without difficulty
at Chatelet, a little lower down; the left column at Marchienne a
little higher up; and the three limbs combine into one vast army.
As the curtain of the mist is falling, the point of vision soars
again, and there is afforded a brief glimpse of what is doing far
away on the other side. From all parts of Europe long and sinister
black files are crawling hitherward in serpentine lines, like
slowworms through grass. They are the advancing armies of the
Allies. The Dumb Show ends.
SCENE II
A BALLROOM IN BRUSSELS[22]
[It is a June midnight at the DUKE AND DUCHESS OF RICHMOND'S. A
band of stringed instruments shows in the background. The room
is crowded with a brilliant assemblage of more than two hundred
of the distinguished people sojourning in the city on account of
the war and other reasons, and of local personages of State and
fashion. The ball has opened with “The White Cockade.”
Public-domain text, read in full here on John Shaqi.
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