The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
There are properly only two kinds of shields, one round and the other
square, passing into oval and oblong; the round one being for use in
free action, the square one for adjustment to ground or walls; but, on
horseback, the lower part of the shield must be tapered off, in order to
fall conveniently on the left side of the horse.
And, therefore, practically you have two great forms of shield; the
Greek round one, for fighting on foot, or in the chariot, and the Gothic
pointed one, for fighting on horseback. The oblong one for motionless
defence is, however, almost always given to the mythic figure of
Fortitude, and the bearings of the Greek and Gothic shields are always
designed with reference to the supposed figures of the circle and
square.
The Greek word for the round shield is aspis.' I have no doubt, merely
a modification, of 'apsis,' the potter's wheel; the proper word for the
Gothic shield is 'ecu,' from the Latin 'scutum,' meaning a shield
covered with leather. From 'ecu' you have 'ecuyer;'--from scutum
'scutiger,' both passing into our English 'squire.'
231. The aspis of the Greeks might be much heavier than the Gothic
shield, because a Greek never rode fully armed; his object was to allow
both to his horse and to himself the most perfect command of limb
compatible with protection; if, therefore, he was in full armour, and
wanted his horse to carry him, he put a board upon wheels, and stood on
that, harnessing sometimes to it four horses of the highest breed
abreast. Of all hitherto practised exertions of manual dexterity, the
driving thus at full speed over rough ground, standing in the chariot,
is, as far as I know, the greatest ever attained by general military
discipline.
It is true that to do anything perfectly well is about equally
difficult; and I suppose that in a chariot race, a tournament, or a
modern game at cricket, the manual art of the most highly-trained men
would be almost equally fine; still, practically, in Gothic chivalry,
the knight trusted more to his weight and less to his skill than a
Greek did; nor could a horse's pace under armour ever render precision
of aim so difficult as at unarmed speed.
Public-domain text, read in full here on John Shaqi.
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