The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
I can show you exactly the sort of influence their science would have
had.
In your Rudimentary Series, I have placed in sequence two of Dürer's
most celebrated plates (R. 65, R. 66), the coat of arms with the skull,
and the Madonna crowned by angels; and that you may see precisely what
qualities are, and are not, in this last, I have enlarged the head by
photography, and placed it in your Reference Series (117). You will find
the skull is perfectly understood, and exquisitely engraved, but the
face, imperfectly understood and coarsely engraved. No man who has
studied the skull as carefully as Dürer did, ever could engrave a face
beautifully, for the perception of the bones continually thrusts itself
upon him in wrong places, and in trying to conquer or modify it, he
distorts the flesh. Where the features are marked, and full of
character, he can quit himself of the impression; but in the rounded
contour of women's faces he is always forced to think of the skull; and
even in his ordinary work often draws more of bones and hair, than face.
156. I could easily give you more definite, but very disagreeable,
proofs of the evil of knowing the anatomy of the human face too
intimately: but will rather give you further evidence by examining the
skull and face of the creature who has taught us so much already,--the
eagle.
Here is a slight sketch of the skull of the golden eagle. It may be
interesting to you sometimes to make such drawings roughly for the sake
of the points of mechanical arrangement--as here in the circular bones
of the eye-socket; but don't suppose that drawing these a million of
times over will ever help you in the least to draw an eagle itself. On
the contrary, it would almost to a certainty hinder you from noticing
the essential point in an eagle's head--the projection of the brow. All
the main work of the eagle's eye is, as we saw, in looking down. To keep
the sunshine above from teasing it, the eye is put under a triangular
penthouse, which is precisely the most characteristic thing in the
bird's whole aspect. Its hooked beak does not materially distinguish it
from a cockatoo, but its hooded eye does. But that projection is not
accounted for in the skull; and so little does the anatomist care about
it, that you may hunt through the best modern works on ornithology, and
you will find eagles drawn with all manner of dissections of skulls,
claws, clavicles, sternums, and gizzards; but you won't find so much as
one poor falcon drawn with a falcon's eye.
Public-domain text, read in full here on John Shaqi.
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