Think out that matter a little, and you will find that--much as it looks like it--neither chemistry, nor anatomy, nor republicanism, are going to have it all their own way--in the making of either beasts, or gentlemen. They look sometimes, indeed, as if they had got as far as two of the Mosaic plagues, and manufactured frogs in the ditches, and lice on the land; but their highest boasters will not claim, yet, so much even as that poor victory. 171. My friends, let me very strongly recommend you to give up that hope of finding the principle of life in dead bodies; but to take all pains to keep the life pure and holy in the living bodies you have got; and, farther, not to seek your national amusement in the destruction of animals, nor your national safety in the destruction of men; but to look for all your joy to kindness, and for all your strength to domestic faith, and law of ancestral honour. Perhaps you will not now any more think it strange that in beginning your natural history studies in this place, I mean to teach you heraldry, but not anatomy. For, as you learn to read the shields, and remember the stories, of the great houses of England, and find how all the arts that glorified them were founded on the passions that inspired, you will learn assuredly, that the utmost secret of national power is in living with honour, and the utmost secrets of human art are in gentleness and truth. LECTURE IX. THE STORY OF THE HALCYON. _March 10th, 1872._ 172. I must to-day briefly recapitulate the purport of the preceding lectures, as we are about now to enter on a new branch of our subject. I stated, in the first two, that the wisdom of art and the wisdom of science consisted in their being each devoted unselfishly to the service of men; in the third, that art was only the shadow of our knowledge of facts; and that the reality was always to be acknowledged as more beautiful than the shadow. In the fourth lecture I endeavoured to show that the wise modesty of art and science lay in attaching due value to the power and knowledge of other people, when greater than our own; and in the fifth, that the wise self-sufficiency of art and science lay in a proper enjoyment of our own knowledge and power, after it was thus modestly esteemed. The sixth lecture stated that sight was a distinctly spiritual power, and that its kindness or tenderness was proportioned to its clearness. Lastly, in the seventh and eighth lectures, I asserted that this spiritual sight, concerned with external aspects of things, was the source of all necessary knowledge in art; and that the artist has no concern with invisible structures, organic or inorganic.