The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
199. I should also only weary you if I attempted to give you any
interpretation of the much-entangled web of Greek fables connected with
the story of Halcyone. You observe that in all these passages I have
said "King of Trachis" instead of Ceyx. That is partly because I don't
know how to pronounce Ceyx either in Greek or English; but it is chiefly
to make you observe that this story of the sea-mew and Halcyon, now
known through all the world, like the sea-mew's cry, has its origin in
the "Rough country," or crag-country, under Mount Œta, made sacred to
the Greek mind by the death of Heracles; and observe what strange
connection that death has with the Halcyon's story. Heracles goes to
this "Rough country" to seek for rest; all the waves and billows of his
life having--as he thinks now--gone over him. But he finds death.
As far as I can form any idea of this "rough, or torn, country" from the
descriptions of Colonel Leake or any other traveller, it must resemble
closely the limestone cliffs just above Altorf, which break down to the
valley from the ridge of the Windgelle, and give source, at their foot,
to faultlessly clear streams,--green-blue among the grass.
You will find Pausanias noting the springs of Thermopylæ as of the
bluest water he ever saw; and if you fancy the Lake Lucerne to be the
sea bay running inland from Artemisium, you will have a clear and
useful, nor in any serious way, inaccurate, image of the scene where the
Greeks thought their best hero should die. You may remember also, with
advantage, that Morgarten--the Thermopylæ of Switzerland--lies by the
little lake of Egeri, not ten miles from this bay of Altorf; and that
the Heracles of Switzerland is born under those Trachinian crags.
If, farther, you remember that the Halcyon would actually be seen
flitting above the blue water of the springs, like one of their waves
caught up and lighted by the sun; and the sea-mews haunting the cliffs,
you will see how physical circumstances modify the under-tone of the
words of every mythic tradition.
Public-domain text, read in full here on John Shaqi.
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