In all Disraeli's writings, from his earliest age, there is traceable a
conviction that no country could prosper under a free Constitution,
without an aristocracy with great duties and great privileges; an
aristocracy who, as leaders of the people, should be their examples also
of manliness and nobility of character. He had observed how, as
political power had passed away from the English peers, while their
wealth remained, and increased, their habits had become more
self-indulgent--they had become a superior but socially exclusive caste.
They were still an estate of the realm, but they had become, like the
gods of Epicurus, lifted above the toils and troubles of this mortal
world, still feeding on the offerings which continued to smoke upon the
altars, but of no definite use, and likely, it might be, to lose their
celestial thrones, should mankind cease to believe in them. The
occupation of the Elysians in the 'Infernal Marriage' was to go to
operas and plays and balls, to wander in the green shades of the forest,
to canter in light-hearted cavalcades over breezy downs, to banquet with
the beautiful and the witty, to send care to the devil, and indulge the
whim of the moment. It was easy to see who were meant by the Elysians.
Privileged mortals they might be, but mortals out of whom, unless they
roused themselves, no future rulers would ever rise to govern again the
English nation. The Emperor Julian imagined that he could galvanise the
dead gods of Paganism; Disraeli, believing that an aristocracy of some
kind was a political necessity, had dreamt of an awakening of the young
generation of English nobles to the heroic virtues of the age of the
Plantagenets.
Public-domain text, read in full here on John Shaqi.
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