When the result of the elections of 1880 was known he again accepted his
fate, as Mr. Gladstone had done six years before, without waiting for
the meeting of Parliament. He submitted with dignity, though with the
fatal consciousness that at his age he could not hope to witness a
reversal of the judgment upon him. He did not talk petulantly of
retiring from politics. He took his place again as leader of the
Opposition in the House of Lords, and showed no signs of weakened power.
But he had always been impatient of the details of business, and his
chief pleasure was now to retire to Hughenden, with or without
companions, most frequently alone. For a fortnight together he would
remain there in solitude, wandering through the park or through the
Bradenham woods, which in his youth had been the scene of so many
ambitions or moody meditations. His trees, his peacocks, his swans, his
lake and chalk stream were sadly associated with the memories of his
married life. He was so fond of his trees that he directed in his will
that none of them should be cut down. He was on pleasant terms with his
tenants and labourers; he visited them in their cottages, and was
specially kind to old people and to little children. The 'policy of
sewage,' with which he had been taunted as a Minister, was his practice
as a landlord. No dust-heaps, or cesspools, or choked drains, or damp
floors were to be seen among the Hughenden tenements. To such things he
looked with his own eyes, and he said he never was so happy as when left
to himself in these occupations.
Of his reflections at this period some may be found hereafter in the
papers which he bequeathed to Lord Rowton. No particular traces appear
in the last literary work which in his final leisure he contrived to
accomplish. He had left 'Endymion' half finished when he took office in
1874; he went on with it when office had left him, perhaps because he
had thought himself obliged to buy a house in London on retiring from
Downing Street and wanted money.
Public-domain text, read in full here on John Shaqi.
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