The Early Life and Adventures of Sylvia ScarlettMacKenzie, Compton
General
The Early Life and Adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
It was impossible not to feel lonely, when Lily had gone: in three and
a half years they had been much together. For a while Sylvia tried to
content herself with the company of the girls in the _pension
d'artistes_, to which she had been forced to go because the flat was too
expensive for her to live in now. Her illness had swallowed up any money
she had saved, and the manager took advantage of it to lower her salary.
When she protested the manager told her he would be willing to pay the
original salary, if she would go to São Paulo. Though Sylvia understood
that the management was trying to get the best of a bargain, she was too
listless to care much and she agreed to go. The voyage there was like a
nightmare. The boat was full of gaudy negroes who sang endlessly their
mysterious songs; the smell was vile; the food was worse; cockroaches
swarmed. São Paulo was a squalid reproduction of Rio de Janeiro, and the
women who sang in the cabaret were all seamed with ten years' longer
vagabondage than those at Rio. The men of São Paulo treated them with
the insolence of the half-breeds they all seemed. On the third night a
big man with teeth like an ancient fence and a diamond in his
shirt-front like a crystal stopper leaned over from a box and shouted to
Sylvia to come up and join him when she had finished her songs; he said
other things that made her shake with anger. When she left the scene,
the grand pimp, who was politely known as the manager, congratulated
Sylvia upon her luck: she had caught the fancy of the richest patron.
"You don't suppose I'm going to see that _goujat_ in his box?" she
growled.
The grand pimp was in despair. Did she wish to drive away their richest
patron? He would probably open a dozen bottles of champagne. He might
... the grand pimp waved his arms to express mental inability to express
all the splendors within her grasp. Presently the impatient suitor came
behind the scene to know the reason of Sylvia's delay. He grasped her by
the wrist and tried to drag her up to his box. She seized the only
weapon in reach--a hand-glass--and smashed it against his face. The
suitor roared; the grand pimp squealed; Sylvia escaped to the stage,
which was almost flush with the main dancing-hall. She forced her way
through the orchestra, kicking the instruments right and left, and fell
into the arms of a man more resplendent than the rest, but a
_rastaquouère_ of more Parisian cut, who in a dago-American accent
promised to plug the first guy that tried to touch her.
Public-domain text, read in full here on John Shaqi.
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