The Early Norman Castles of the British Isles.Armitage, Ella Sophia
History
The Early Norman Castles of the British Isles.
Armitage, Ella Sophia
Architecture, Norman; Castles -- Great Britain -- History -- To 1500; Normans -- Great Britain
[Illustration: FIG. 16. Durham.]
DURHAM (Fig. 16).--The castle here was first built by the Conqueror, on
his return from his expedition against Scotland in 1072.[420] It was
intended as a strong residence for the bishop, through whom William
hoped to govern this turbulent part of the country. He placed it on the
neck of the lofty peninsula on which the cathedral stands. The motte of
the Conqueror still remains, and so does the chapel[421] which he built
in the bailey; probably the present court of the castle, though crowded
now with buildings, represents the outline of the original bailey.[422]
The present shell keep on the motte was built by Bishop Hatfield in
Edward III.'s reign,[423] but has been extensively modernised. There
can be little doubt that up to 1345 there were only wooden buildings
on the motte, as the writer was informed by Canon Greenwell that no
remains of older stone-work than the 14th century had been found there.
It is so seldom that we get any contemporary description of a castle
of this kind, that it seems worth while to translate the bombastic
verse in which Laurence, Prior of Durham, described that of Durham in
Stephen's reign:[424]
"Not far hence [from the north road into the city] a tumulus of rising
earth explains the flatness of the excavated summit, explains the
narrow field on the flattened vertex, which the apex of the castle
occupies with very pleasing art. On this open space the castle is
seated like a queen; from its threatening height, it holds all that
it sees as its own. From its gate, the stubborn wall rises with the
rising mound,[425] and rising still further, makes towards the comfort
(amæna) of the keep. But the keep, compacted together, rises again
into thin air, strong within and without, well fitted for its work, for
within the ground rises higher by three cubits than without--ground
made sound by solid earth. Above this, a stalwart house[426] springs
yet higher than the [shell] keep, glittering with splendid beauty in
every part; _four posts are plain, on which it rests, one post at each
strong corner_.[427] Each face is girded by a beautiful gallery, which
is fixed into the warlike wall.[428] A bridge, rising from the chapel
[in the bailey] gives a ready ascent to the ramparts, easy to climb;
starting from them, a broad way makes the round of the top of the wall,
and this is the usual way to the top of the citadel.... The bridge
is divided into easy steps, no headlong drop, but an easy slope from
the top to the bottom. Near the [head of the] bridge, a wall descends
from the citadel, turning its face westward towards the river.[429]
From the river's lofty bank it turns away in a broad curve to meet the
field [_i.e._, Palace Green]. It is no bare plot empty of buildings
that this high wall surrounds with its sweep, but one containing
goodly habitations.[430] There you will find two vast palaces built
with porches, the skill of whose builders the building well reveals.
Public-domain text, read in full here on John Shaqi.
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