The Early Poems of Alfred Lord TennysonTennyson, Alfred Tennyson, Baron
General
The Early Poems of Alfred Lord Tennyson
Tennyson, Alfred Tennyson, Baron
English poetry -- 19th century
For further illustrations see _Illust. of Tennyson_, p. 158.
[16] Paraphrased from _Odyssey_, vi., 42-5, or _Lucretius_, iii.,
18-22.
[17] The expression “_crowned_ with summer _sea_” from _Odyssey_, x.,
195: νῆσον τὴν πέρι πόντος απείριτος ἐσταφάνωται.
The Gardener’s Daughter
or,
The Pictures
First published in 1842.
In the _Gardener’s Daughter_ we have the first of that delightful
series of poems dealing with scenes and characters from ordinary
English life, and named appropriately _English Idylls_. The originator
of this species of poetry in England was Southey, in his _English
Eclogues_, written before 1799. In the preface to these eclogues, which
are in blank verse, Southey says: “The following eclogues, I believe,
bear no resemblance to any poems in our language. This species of
composition has become popular in Germany, and I was induced to attempt
it by an account of the German idylls given me in conversation.”
Southey’s eclogues are eight in number: _The Old Mansion House_, _The
Grandmother’s Tale_, _Hannah_, _The Sailor’s Mother_, _The Witch_, _The
Ruined Cottage_, _The Last of the Family_ and _The Alderman’s Funeral_.
Southey was followed by Wordsworth in _The Brothers_ and _Michael_.
Southey has nothing of the charm, grace and classical finish of his
disciple, but how nearly Tennyson follows him, as copy and model, may
be seen by anyone who compares Tennyson’s studies with _The Ruined
Cottage_. But Tennyson’s real master was Theocritus, whose influence
pervades these poems not so much directly in definite imitation as
indirectly in colour and tone.
_The Gardener’s Daughter_ was written as early as 1835, as it was read
to Fitzgerald in that year (_Life of Tennyson_, i., 182). Tennyson
originally intended to insert a prologue to be entitled _The
Antechamber_, which contained an elaborate picture of himself, but he
afterwards suppressed it. It is given in the _Life_, i., 233-4. This
poem stands alone among the Idylls in being somewhat overloaded with
ornament. The text of 1842 remained unaltered through all the
subsequent editions except in line 235. After 1851 the form “tho’” is
substituted for “though”.
Public-domain text, read in full here on John Shaqi.
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