The Early Poems of Alfred Lord TennysonTennyson, Alfred Tennyson, Baron
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The Early Poems of Alfred Lord Tennyson
Tennyson, Alfred Tennyson, Baron
English poetry -- 19th century
She linger’d, looking like a summer moon
Half-dipt in cloud: anon she shook her head,
And shower’d the rippled ringlets to her knee;
Unclad herself in haste; adown the stair
Stole on; and, like a creeping sunbeam, slid
From pillar unto pillar, until she reach’d
The gateway; there she found her palfrey trapt
In purple blazon’d with armorial gold.
Then she rode forth, clothed on with chastity:
The deep air listen’d round her as she rode,
And all the low wind hardly breathed for fear.
The little wide-mouth’d heads upon the spout
Had cunning eyes to see: the barking cur
Made her cheek flame: her palfrey’s footfall shot
Light horrors thro’ her pulses: the blind walls
Were full of chinks and holes; and overhead
Fantastic gables, crowding, stared: but she
Not less thro’ all bore up, till, last, she saw
The white-flower’d elder-thicket from the field
Gleam thro’ the Gothic archways[3] in the wall.
Then she rode back cloth’d on with chastity:
And one low churl,[4] compact of thankless earth,
The fatal byword of all years to come,
Boring a little auger-hole in fear,
Peep’d—but his eyes, before they had their will,
Were shrivell’d into darkness in his head,
And dropt before him. So the Powers, who wait
On noble deeds, cancell’d a sense misused;
And she, that knew not, pass’d: and all at once,
With twelve great shocks of sound, the shameless noon
Was clash’d and hammer’d from a hundred towers,[5]
One after one: but even then she gain’d
Her bower; whence reissuing, robed and crown’d,
To meet her lord, she took the tax away,
And built herself an everlasting name.
[1] These four lines are not in the privately printed volume of 1842,
but were added afterwards.
[2] St. Michael’s, Trinity, and St. John.
[3] 1844. Archway.
[4] His effigy is still to be seen, protruded from an upper window in
High Street, Coventry.
[5] A most poetical licence. Thirty-two towers are the very utmost
allowed by writers on ancient Coventry.
The Two Voices
First published in 1842, though begun as early as 1833 and in course of
composition in 1834. See Spedding’s letter dated 19th September, 1834.
Its original title was _The Thoughts of a Suicide_. No alterations were
made in the poem after 1842.
Public-domain text, read in full here on John Shaqi.
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