The Early Short Fiction of Edith Wharton — Part 1Wharton, Edith
General
The Early Short Fiction of Edith Wharton — Part 1
Wharton, Edith
Fiction; Short stories, American
The Count clasped his hands. “Ah, how you say that--with what force,
with what virility! If you would but say it to HER in that tone--you,
her countryman! She has no one to advise her; the mother is an idiot;
the father is terrible; she is in his power; it is my belief that he
would kill her if she resisted him. Mr. Wyant, I tremble for her life
while she remains in that house!”
“Oh, come,” said Wyant lightly, “they seem to understand each other well
enough. But in any case, you must see that I can’t interfere--at
least you would if you were an Englishman,” he added with an escape of
contempt.
III
Wyant’s affiliations in Siena being restricted to an acquaintance with
his land-lady, he was forced to apply to her for the verification of
Count Ottaviano’s story.
The young nobleman had, it appeared, given a perfectly correct account
of his situation. His father, Count Celsi-Mongirone, was a man of
distinguished family and some wealth. He was syndic of Orvieto, and
lived either in that town or on his neighboring estate of Mongirone. His
wife owned a large property near Siena, and Count Ottaviano, who was the
second son, came there from time to time to look into its management.
The eldest son was in the army, the youngest in the Church; and an aunt
of Count Ottaviano’s was Mother Superior of the Visitandine convent in
Siena. At one time it had been said that Count Ottaviano, who was a most
amiable and accomplished young man, was to marry the daughter of the
strange Englishman, Doctor Lombard, but difficulties having arisen as to
the adjustment of the young lady’s dower, Count Celsi-Mongirone had very
properly broken off the match. It was sad for the young man, however,
who was said to be deeply in love, and to find frequent excuses for
coming to Siena to inspect his mother’s estate.
Viewed in the light of Count Ottaviano’s personality the story had a
tinge of opera bouffe; but the next morning, as Wyant mounted the stairs
of the House of the Dead Hand, the situation insensibly assumed another
aspect. It was impossible to take Doctor Lombard lightly; and there was
a suggestion of fatality in the appearance of his gaunt dwelling. Who
could tell amid what tragic records of domestic tyranny and fluttering
broken purposes the little drama of Miss Lombard’s fate was being played
out? Might not the accumulated influences of such a house modify the
lives within it in a manner unguessed by the inmates of a suburban villa
with sanitary plumbing and a telephone?
One person, at least, remained unperturbed by such fanciful problems;
and that was Mrs. Lombard, who, at Wyant’s entrance, raised a placidly
wrinkled brow from her knitting. The morning was mild, and her chair had
been wheeled into a bar of sunshine near the window, so that she made a
cheerful spot of prose in the poetic gloom of her surroundings.
“What a nice morning!” she said; “it must be delightful weather at
Bonchurch.”
Public-domain text, read in full here on John Shaqi.
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