The easiest way : $b a story of metropolitan lifeHornblow, Arthur
General
The easiest way : $b a story of metropolitan life
Hornblow, Arthur
Man-woman relationships -- Fiction; Mistresses -- Fiction; Women -- Conduct of life -- Fiction
Madison looked at Laura, who hung her head in mute acknowledgment of
her guilt. As he suddenly realized how she had tricked him he turned
pale, and with a smothered cry sank down on one of the trunks. Until
this very moment he still believed in her. He could have forgiven her
returning to Brockton, everything; but she had deliberately lied to him
and deceived him. That he could never forgive. There was a moment's
silence, and Brockton advanced towards him.
"You see! Why, my boy, whatever you think of me or the life I lead, I
wouldn't have had this come to you for anything in the world. No, I
wouldn't. My women don't mean a whole lot to me because I don't take
them seriously. I wish I had the faith and the youth to feel the way
you do. You're all in and broken up, but I wish I could be broken up
just once. I did what I thought was best for you because I didn't think
she could ever go through the way you wanted her to. I'm sorry it's all
turned out bad. Good-bye."
He looked at John for a moment, as if expecting some reply, but the big
Westerner maintained a dogged silence. With a shrug of his shoulders
and without so much as glancing at Laura, Brockton strode to the door
and slammed it shut behind him.
[Illustration: JOHN STOOD LOOKING AT HER IN SILENCE.
_Page 337._]
Madison stood looking at her in silence. There was nothing more to say
or do. The broker was right. He had been a poor fool; he had taken this
woman too seriously. She was no better than all of her kind. Yet it
seemed as if there was something wrong somewhere. It had ended so
differently to what he expected. He would never believe in womankind
again. Slowly he made his way toward the door, while she, her heart
breaking, her face white as death, the hot tears streaming down her
cheeks, stood still, not daring to say a word or make a movement. His
drawn face and haunted eyes looked as though some great grief had
suddenly come into his life, a grief he could not understand. But he
gave her no chance to speak. He seemed to be feeling around for
something to say, some way to get out and away without further delay.
He went towards the door, and with a pitiful gesture of his hand,
seemed to be saying farewell forever. With a stifled sob, she darted
forward.
"John, I----"
He turned and looked at her sternly.
"I'd be careful what I said if I were you. Don't try to make excuses. I
understand."
"It's not excuses," she sobbed. "I want to tell you what's in my heart,
but I can't; it won't speak, and you don't believe my voice."
"You'd better leave it unsaid."
"But I must tell," she cried hysterically. "I can't let you go like
this."
Going over to him, she made a weak attempt to put her arms around him;
but calmly, dispassionately, he took her hands and put them down.
Wildly, pleadingly, she went on:
"I love you! I--how can I tell you--but I do, I do, and you won't
believe me."
Public-domain text, read in full here on John Shaqi.
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