The eastern or Turkish bath : $b its history, revival in Britain, and application to the purposes of healthWilson, Erasmus, Sir
History
The eastern or Turkish bath : $b its history, revival in Britain, and application to the purposes of health
Wilson, Erasmus, Sir
Baths, Turkish
It is impossible, therefore, to avoid the conclusion that the close
clothing of the body from the moment of birth, and the continuance of
the process throughout our lives, must tend to prevent the proper and
healthy development of the skin and also to debilitate it; and that the
opposite course, of exposing the skin to the air, and promoting its
natural functions by means of the bath, must have the contrary effect
of hardening and strengthening the skin and rendering its functions
more perfect.
In the bath we learn to distinguish by the eye and by the touch, the
weak and the strong, the unhealthy and the healthy skin; we find the
former pale, soft, flabby, wrinkled, sordid, starved, and morbidly
sensitive; while the latter is pink, hard, firm, elastic, smooth,
clear, sensible, and well nourished. When the fingers are drawn
forcibly over the skin of the practised bather, the white streaks
caused by the pressure are instantly restored to their pink hue when
the pressure is relaxed; the sanguineous stream seems to follow the
pressure like a surge and instantly obliterates its effects; and the
skin recoils with a snap like India-rubber when it is pulled away from
the body and suddenly released. In the bath there are no wrinkles and
no decrepit age; the skin becomes firm and elastic; it recovers its
colour and its smoothness; it fits close to the muscular frame beneath,
instead of falling away from it in grim festoons; its hues are selected
from the palette of youth. But this is not all: as the skin regains
its health, the hair returns upon the scalp of the bald; and white
hairs which have crept untimely and unbidden among the dark locks of
mid-age, shrink away from the sight, and seek a more suitable and more
unwholesome roost.
But these visual appearances of the skin, which obviously indicate its
unhealthy external characters, also denote a deficient and imperfect
circulation of the blood; a deteriorated sensibility; a defective
cell-formation and secretion; an exhausted tone and vigour.
In respect of one of these qualities--namely, healthy sensibility of
the skin--I met in the bath with a curious and unexpected illustration.
When I was invited by Mr. Stewart Rolland to pass from his Calidarium
at a temperature of 170°, into his Laconicum, in which the actual
temperature was 190°, but the sensible temperature some degrees higher,
in consequence of the presence of watery vapour, I was suddenly made
aware that the skin of my body had lost its power of appreciating
the higher degrees of heat, and that my face and hands were my only
reliable monitors of the actual elevation of the temperature.
Public-domain text, read in full here on John Shaqi.
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